Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
She turned her eager, weary face toward Kate, and her friend marked the
delicacy in it which comes with maternity. It was pallid and rather
pinched; the lips hung a trifle too loosely; the veins at the temples
showed blue and full. Kate couldn't beat down the vision that would rise
before her eyes of the Marna she had known in the old days, who had
arisen at noon, coming forth from her chamber like Deirdre, fresh with
the freshness of pagan delight. She remembered the crowd that had
followed in her train, the manner in which people had looked after her
on the street, and the little furore she had invariably awakened when
she entered a shop or tea-room. As Marna shook out the gold-of-ophir
satin, dimmed now and definitely out of date, there surged up in her
friend a rebellion against Marna's complete acquiescence in the present
scheme of things. But Marna slipped cheerfully into her gown.
"I shall keep my cloak on while we go down the aisle," she declared.
"Nobody notices what one has on when one is safely seated.
Particularly," she added, with one of her old-time flashes, "if one's
neck is not half bad. Now I'm ready to be fastened, mavourneen. Dear me,
it _is_ rather tight, isn't it? But never mind that. Get the hooks
together somehow. I'll hold my breath. Now, see, with this scarf about
me, I shan't look such a terrible dowd, shall I? Only my gloves are
unmistakably shabby and not any too clean, either. George won't let me
use gasoline, you know, and it takes both money and thought to get them
to the cleaners. Do you remember the boxes of long white gloves I used
to have in the days when _tante_ Barsaloux was my fairy godmother?
Gloves were an immaterial incident then. 'Nevermore, nevermore,' as our
friend the raven remarked. Come, we'll go. I won't wear my old opera
cloak in the street-car; that would be too absurd, especially now that
the bullion on it has tarnished. That long black coat of mine is just
the thing--equally appropriate for market, mass, or levee. Oh, George,
dear, good-bye! Good-bye, you sweetheart. I hate to leave you, truly I
do. And I do hope and pray the baby won't wake. If he does--"
"Come along, Marna," commanded Kate. "We mustn't miss that next car."
* * * * *
They barely were in their seats when the lights went up, and before them
glittered the Auditorium, that vast and noble audience chamber
identified with innumerable hours of artistic satisfaction. The receding
arches of the ceiling glittered like incandescent nebulae; the pictured
procession upon the proscenium arch spoke of the march of ideas--of the
passionate onflow of man's dreams--of whatever he has held beautiful
and good.
Public-domain text, read in full here on John Shaqi.
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