Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
"Stop your noise," commanded the woman who must have been his mother.
"Don't you know she can't hear you?"
"Oh, maybe she can! Maybe she can," sobbed the boy. "Oh, grandmother,
don't you hear me calling? There's nobody left for me now."
The woman caught him sharply by the arm.
"I'm left, Jimmy. What makes you say such a thing as that? Stay with
mother, that's a good boy."
They were lifting the box into the baggage-car. The boy saw it. He
straightened himself in the manner of one who tries to endure a
mortal wound.
"She's gone," he said. He looked at his mother once, as if measuring her
value to him. Then he turned away. There was no comfort for him there.
Often, since, Kate had wondered concerning the child. She had imagined
his grim home, his barren days; the plain food; the compulsory task; the
kind, yet heavy-handed, coarse-voiced mother. She was convinced that the
grandmother had been different. In the corner where she had sat, there
must have been warmth and welcome for the child. Perhaps there were
mellow old tales, sweet old songs, soft strokings of the head, smuggled
sweets--all the beautiful grandmotherly delights.
XIII
Since Kate had begun to write, a hundred--a thousand--half-forgotten
experiences had come back to her. As they returned to her memory, they
acquired significance. They related themselves with other incidents or
with opinions. They illustrated life, and however negligible in
themselves, they attained a value because of their relation to
the whole.
It was seldom that she felt lonely now. Her newly acquired power of
self-expression seemed to extend and supplement her personality. August
von Shierbrand had said that he wished to marry her because she
completed him. It had occurred to her at the time--though she suppressed
her inclination to say so--that she was born for other purposes than
completing him, or indeed anybody. She wished to think of herself as an
individual, not as an addendum. But, after all, she had sympathized with
the man. She was beginning to understand that that "solitude of the
soul," which one of her acquaintances, a sculptor, had put into
passionate marble, was caused from that sense of incompletion. It was
not alone that others failed one--it was self-failure, secret shame, all
the inevitable reticences, which contributed most to that.
She fell into the way of examining the men and women about her and of
asking:--
"Is he satisfied? Is she companioned? Has this one realized himself? Is
that one really living?"
She remembered one person--one only--who had given her the impression of
abounding physical, mental, and spiritual life. True, she had seen him
but a moment--one swift, absurd, curiously haunting moment. That was
Karl Wander, Honora's cousin, and the cousin of Mary Morrison. They were
the children of three sisters, and from what Kate knew of their
descendants' natures, she felt these sisters must have been palpitating
creatures.
Public-domain text, read in full here on John Shaqi.
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