The Preface to the Aeneis of Virgil (1718)Trapp, Joseph
History
The Preface to the Aeneis of Virgil (1718)
Trapp, Joseph
Aeneas (Legendary character) -- In literature; Epic poetry, Latin -- History and criticism; Rome -- In literature; Virgil. Aeneis
To produce more Instances would be needless; because One general Remark
supersedes them all. It is acknowledged by every body that the First Six
Books in the Original are the best, and the most perfect; but the Last
Six are so in Mr. _Dryden_'s Translation. Not that even in These
_Virgil_ properly sinks, or flags in his Genius; but only he did not
live to correct them, as he did the former. However, they abound with
Beauties in the Original; and so indeed they do in the Translation,
more, as I said, than the First Six: Which is visible to any one that
reads the Whole with Application.
I observed in the last place, that where Mr. _Dryden_ shines most, we
often see least of _Virgil_. To omit many other Instances, the
Description of the _Cyclops_ forging Thunder for _Jupiter_, and Armour
for _Æneas_, is elegant, and noble to the last degree in the _Latin_;
and it is so to a very great degree in the _English_. But then is the
_English_ a Translation of the _Latin_?
_Hither the Father of the Fire by Night
Thro' the brown Air precipitates his Flight:
On their eternal Anvils here be found
The Brethren beating, and the Blows go round._
Our Language, I think, will admit of few things more truly Poetical,
than those four Lines. But the two first are set to render
_Huc tunc Ignipotens cœlo descendit ab alto._
There is nothing of _coelo ab alto_ in the Version; nor of _by Night,
brown Air_, or _precipitates his Flight_ in the Original. The two last
are put in the room of
_Ferrum exercebant vasto Cyclopes in antro,
Brontesque, Steropesque, & nudus membra Pyracmon._
_Vasto in antro_ in the first of these Lines, and the last Line entirely
are left out in the Translation. Nor is there any thing of _eternal
Anvils_ (I wish there were) or _here be found_, in the Original: And
_the Brethren beating, and the Blows go round_, is but a loose Version
of _Ferrum exercebant_. Much the same may be said of the whole Passage
throughout; which will appear to Those who compare the _Latin_ with the
_English_. In the whole Passage Mr. _Dryden_ has the true Spirit of
_Virgil_; but he would have had never the less of it, if he had more
closely adhered to his Words, and Expressions.
Sometimes he is _near enough_ to the Original; And tho' he _might have
been nearer_, he is altogether admirable, not only as a _Poet_, but as a
_Translator_. Thus in the Second Book;
_Pars ingentem formidine turpi
Scandunt rursus equum, & nota conduntur in alvo._
_And some, oppress'd with more ignoble Fear,
Remount the hollow Horse_, and pant in secret there.
And in the Twelfth, after the last Speech of _Juturna_;
_Tantum effata, caput glauco contexit amictu,
Multa gemens, & se fluvio Dea condidit alto._
_She drew a length of Sighs; no more she said,
But with her azure Mantle wrap'd her Head;
Then plung'd into her Stream with deep Despair_,
And her last Sobs came bubbling up in Air.
Public-domain text, read in full here on John Shaqi.
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