The PresentationStacpoole, H. De Vere (Henry De Vere)
History
The Presentation
Stacpoole, H. De Vere (Henry De Vere)
Adventure stories; France -- History -- Louis XV, 1715-1774 -- Fiction; Historical fiction
Lavenne drew the blade from the sheath, noticed that the poison, which
doubtless was only soluble in an acid solution, like, for instance,
the juice of a fruit, showed no sign of its presence on the silver,
inserted the blade again in the sheath the other way about, and
returned the dagger to the _cache_, which he then closed. His work was
now done, there was nothing left but to extinguish the lamp and leave
the room. He looked about to see that everything was in perfect order,
and then, taking the _crochet_ from his pocket, he approached the door.
The lock turned quite easily to the instrument, but the door did not
open.
He withdrew the _crochet_, reinserted it, and made the turn with his
wrist, and again with the same result.
The door was bolted now as well as locked. Lavenne drew the back of his
hand across his forehead, which was covered with sweat. It was quite
useless to try again. It was not the fault of the lock. He remembered
now that Brujon, before he opened the door to show him the room,
had placed one hand on the wall beside the door. Brujon was stout,
and Lavenne had fancied that he leaned his hand on the wall to rest
himself. He knew now that Brujon must have touched a spring withdrawing
a secret bolt, without the release of which the door would not open.
When Brujon had closed the door, he must have forgotten to touch
another spring which would have re-shot the bolt. Owing to this
forgetfulness, Lavenne had been able to enter the room simply by
picking the lock. But Camus, who seemed never to forget precaution, had
not forgotten to touch the bolting spring, with the result that Lavenne
was now a prisoner in a prison that threatened to be his tomb.
He knew that it was quite futile, with the means at his disposal,
to make any further attempt upon the lock; even had he possessed a
crow-bar and all the tools necessary, the noise of the breaking open of
the door would arouse the house.
The doorway being impossible, he turned to the window, which he had
not yet examined. The lamp held close to the window showed nothing of
the dark world outside, but it showed very definitely strong iron bars
almost touching the glass.
The window being impossible, he turned to the floor.
There was just a chance that the hollow-sounding portion of the parquet
between the table and the window curtains might disclose a means of
exit. There was, in fact, more than a chance, for a man like Camus, who
forgot nothing, would be the least likely man to forget to provide a
secret way of escape from this chamber of secrecy.
Lavenne was not wrong; the parquet on close examination showed
the outline of a trap-door so well constructed as to be perfectly
indistinguishable to the gaze of a person who was not searching for it.
In five minutes, or less, he had discovered the button of the opening
spring. He pressed on it, and the flap, instead of rising, as in the
ordinary trap-door, sank, disclosing a perpendicular ladder leading
down into absolute darkness.
Public-domain text, read in full here on John Shaqi.
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