The PresentationStacpoole, H. De Vere (Henry De Vere)
History
The Presentation
Stacpoole, H. De Vere (Henry De Vere)
Adventure stories; France -- History -- Louis XV, 1715-1774 -- Fiction; Historical fiction
“Simply for this reason. I cannot take an active part in any move
against a person who is a friend of yours.”
“And why not, monsieur?”
“Ah, you ask me a question now that is very difficult to answer.”
“How so?”
“Because the reply may make you angry.”
“Then you had better not answer the question, monsieur.”
“On the contrary, it is better to say what is in my mind, since to
leave it unsaid would be an act of cowardice, and it is better that we
should both know a secret that is tormenting me like fire. I cannot act
against a friend of yours, simply for this reason—I have learned to
love you.”
He had risen before finishing the sentence, and at the last word,
bowing profoundly, he moved away to where Jean, de Joyeuse and Madame
d’Harlancourt were talking together, and joined in their conversation.
Camille followed him with her eyes. He had attracted her at the ball,
his action against Madame Dubarry had turned her against him, his
frank confession of the part he had taken had somewhat modified her
resentment, his declaration that in future he would remain neutral had
modified it still more; his declaration of love had stunned her.
He was a married man.
The thing amounted to an insult, yet she did not feel insulted, nor did
she feel angry; her being was stirred to its depths for the first time
in her life. Unconscious of the fact that a declaration of love from
Camus had about as much meaning as a declaration of pity from a tiger,
or perhaps half-conscious of it, she was held now by the mesmerism of
the man, and sat watching him as he conversed with the others; till
Madame de Duras, coming up to her, broke the spell.
At supper, her eyes kept continually meeting those of Camus, and she
was half conscious of the fact that a wordless conversation was going
on between her almost unwilling mind and the mind of the Count.
Men like Camus do most of their murderous work against women without
speech. They have the art of making women think about them, and they
know that they have the art.
Camus all that evening kept aloof from the girl to whom he had made his
declaration of love. He wore a brooding and meditative air at times. He
knew that she was observing him closely, and he acted the part of the
eternal lover to perfection.
Yet, despite his acting, he was desperately in earnest.
When the card-tables were being set out, it was found that Camille had
vanished from the room. She did not appear again that night.
CHAPTER V
THE HOUSE OF COUNT CAMUS
Public-domain text, read in full here on John Shaqi.
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