The presidential snapshot : $b or, The all-seeing eyeLebhar, Bertram
General
The presidential snapshot : $b or, The all-seeing eye
Lebhar, Bertram
Americans -- South America -- Fiction; Dime novels; Photographers -- Fiction; Political prisoners -- Fiction
Just as the steamship _Eldorado_, bound for New York, was about to
leave her dock at Puerto Cabero, a touring car with a closed top
dashed up to the wharf, and two women alighted and went aboard the
ship. One of this pair, whose slender form was clad in black, wore a
heavy veil which concealed her features, but Hawley, who was standing
near the gangway when they arrived, gave a start of surprise. Despite
the veil, he recognized the women as Señora Felix and her maid. The
Camera Chap had not heard that the wife of the ex-president was to be
among his fellow passengers. Later on, he learned that her departure
from her native land was not a voluntary act. Her husband’s successor
to the presidency had sent her a curt notice the day before that the
government of Baracoa expected her to sail on the _Eldorado_, and that
if she saw fit to disappoint the government’s expectation in this
respect, she might have to stand trial on the painful charge of being
in league with the government’s enemies.
Although Hawley did not know at the time that the unfortunate woman was
an exile, he could see from the way in which her slender form trembled
that she was under stress of great emotion, and his heart was filled
with sympathy for her, but although she passed close to where he was
standing, he did not attempt to address her or even to salute her. He
was keenly alive to the fact that he was an object of close scrutiny
from several keen-eyed swarthy men who stood on the pier, and he
realized the great necessity of treating the señora as a total stranger
while they were looking on. But later, as the boat was passing out of
the bay, and the Camera Chap stood against the rail of the promenade
deck, gazing with mixed sensations at the grim, gray walls of El Torro
fortress, he became suddenly aware that somebody was standing close
beside him, and, turning, discovered Señora Felix.
The woman leaned over the rail, and her eyes were fixed yearningly on
the fortress. She had raised her veil, and the sympathetic young man
beside her could see the tears running down her haggard face. A sound
as though she were choking came from her throat.
They were all alone. The rest of the passengers were on the other side
of the deck absorbed in watching and waving salutes to the American
battleship, which was an object of greater interest to them than
the fortress. Under cover of this privacy, the Camera Chap thought
there would be no harm in whispering a word of comfort to his unhappy
neighbor. But, to his amazement, at the first sound of his voice,
she wheeled on him with the fury of a tigress. “You!” she cried, her
eyes blazing, her voice quavering with rage. “How dare you presume to
address me after what you have done? Are you so lacking in shame, sir,
that you would intrude upon the grief of a woman whose nearest and
dearest you and your selfish government have murdered?”
“My dear señora!” the president’s photographic envoy protested gently.
Public-domain text, read in full here on John Shaqi.
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