Prostitutes -- Fiction; World War, 1914-1918 -- England -- London -- Fiction
She had met him on the hot Saturday afternoon in a Ford car. She did
not look ill. She looked as if she had fairly recovered from her
acute neurasthenia. She was smartly and carelessly dressed in a summer
sporting costume, and had made a strong contrast to every other human
being on the platform of the small provincial station. The car drove
not to the famous principal hotel, but to a small hotel just beyond
the bridge. She had given him tea in the coffee-room and taken him out
again, on foot, showing him the town--the half-timbered houses, the
immense castle, the market-hall, the spacious flat-fronted residences,
the multiplicity of solicitors, banks and surveyors, the bursting
provision shops with imposing fractions of animals and expensive pies,
and the drapers with ladies' blouses at 2s. 4d. Then she had conducted
him to an organ recital in the vast church where, amid faint gas-jets
and beadles and stalls and stained glass and holiness and centuries
of history and the high respectability of the town, she had whispered
sibilantly, and other people had whispered, in the long intervals of
the organ. She had removed him from the church before the collection
for the Red Cross, and when they had eaten a sort of dinner she had
borne him away to the Russian dancers in the Moot Hall.
She said she had seen the Russian dancers once already, and that they
were richly worth to him a six-hours' train journey. The posters of
the Russian dancers were rather daring and seductive. The Russian
dancers themselves were the most desolating stage spectacle that G.J.
had ever witnessed. The troupe consisted of intensely English girls
of various ages, and girl-children. The costumes had obviously been
fabricated by the artistes. The artistes could neither dance, pose,
group, make an entrance, make an exit, nor even smile. The ballets,
obviously fabricated by the same persons as the costumes, had no plot,
no beginning and no end. Crude amateurishness was the characteristic
of these honest and hard-working professionals, who somehow contrived
to be neither men nor women--and assuredly not epicene--but who
travelled from country town to country town in a glamour of posters,
exciting the towns, in spite of a perfect lack of sex, because they
were the fabled Russian dancers. The Moot Hall was crammed with adults
and their cackling offspring, who heartily applauded the show, which
indeed was billed as a "return visit" due to "terrific success" on a
previous occasion. "Is it not too marvellous," Concepcion had said.
He had admitted that it was. But the boredom had been excruciating.
In the street they had bought an evening paper of which he had never
before heard the name, to learn news of the war. The war, however,
seemed very far off; it had grown unreal. "We'll talk to-morrow,"
Concepcion had said, and gone abruptly to bed! Still, he had slept
well in the soft climate, to the everlasting murmur of the weir.
Public-domain text, read in full here on John Shaqi.
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