"Damn the girl!" said G.J. to himself; and aloud: "Please tell her ladyship that I've called." "Mr. Hoape, is it not, sir?" "It is." By the force of his raisin eyes the butler held G.J. as he turned to descend the steps. "There's nobody at home, sir, except Mrs. Carlos Smith. Mrs. Carlos Smith is in Lady Queenie's apartments." "Mrs. Carlos Smith!" exclaimed G.J., who had not seen Concepcion for some seventeen months; nor heard from her for nearly as long, nor heard of her since the previous year. "Yes, sir." "Ask her if she can see me, will you?" said G.J. impetuously, after a slight pause. He stepped on to the tessellated pavement of the outer hall. On the raised tessellated pavement of the inner hall stood two meditative youngish footmen, possibly musing upon the problems of the intensification of the Military Service Act which were then exciting journalists and statesmen. Beyond was the renowned staircase, which, rising with insubstantial grace, lost itself in silvery altitude like the way to heaven. Presently G.J. was mounting the staircase and passing statues by Canova and Thorwaldsen, and portraits of which the heads had been painted by Lawrence and the hands and draperies by Lawrence's hireling, and huger canvasses on which the heads and breasts had been painted by Rubens and everything else by Rubens's regiment of hirelings. The guiding footman preceded him through a great chamber which he recognised as the drawing-room in its winding sheet, and then up a small and insignificant staircase; and G.J. was on ground strange to him, for never till then had he been higher than the first-floor in Lechford House. Lady Queenie's apartments did violence to G.J.'s sensibilities as an upholder of traditionalism in all the arts, of the theory that every sound movement in any art must derive from its predecessor. Some months earlier he had met for a few minutes the creative leader of the newest development in internal decoration, and he vividly remembered a saying of the grey-haired, slouch-hatted man: "At the present day the only people in the world with really vital perceptions about decoration are African niggers, and the only inspiring productions are the coloured cotton stuffs designed for the African native market." The remark had amused and stimulated him, but he had never troubled to go in search of examples of the inspiring influence of African taste on London domesticity. He now saw perhaps the supreme instance lodged in Lechford House, like a new and truculent state within a great Empire.