Prostitutes -- Fiction; World War, 1914-1918 -- England -- London -- Fiction
She's buried. Her body that she meant to use so profusely
for her own delights is squeezed up in the little black box in the
dark and the silence, down below where the spring can't get at it....
I had no sleep for two nights. On the second day a doctor at the
hospital said that I must take at least three months' holiday. He said
I'd had a nervous breakdown. I didn't know I had, and I don't know
now. I said I wouldn't take any holiday, and that nothing would induce
me to."
"Why, Con?"
"Because I'd sworn, absolutely sworn to myself, to stick that job till
the war was over. You understand, I'd sworn it. Well, they wouldn't
let me on to the works. And yesterday one of the directors brought
me up to town himself. He was very kind, in his Clyde way. Now you
understand what I mean when I say I'm ruined. I'm ruined with myself,
you see. I didn't stick it. I couldn't. But there were twenty or
thirty girls who saw the accident. They're sticking it."
"Yes," he said in a voice soft and moved, "I understand." And while
he spoke thus aloud, though his emotion was genuine, and his desire to
comfort and sustain her genuine, and his admiration for her genuine,
he thought to himself: "How theatrically she told it! Every effect
was studied, nearly every word. Well, she can't help it. But does she
imagine I can't see that all the casualness was deliberately part of
the effect?"
She lit a cigarette and leaned her half-draped elbows on the
tea-table, and curved her ringed fingers, which had withstood time and
fatigue much better than her face; and then she reclined again on the
chaise-longue, on her back, and sent up smoke perpendicularly, and
through the smoke seemed to be trying to decipher the enigmas of the
ceiling. G.J. rose and stood over her in silence. At last she went on:
"The work those girls do is excruciating, hellish, and they don't
realise it. That's the worst of it. They'll never be the same again.
They're ruining their health, and, what's more important, their looks.
You can see them changing under your eyes. Ours was the best factory
on the Clyde, and the conditions were unspeakable, in spite of
canteens, and rest-rooms, and libraries, and sanitation, and all this
damned 'welfare'. Fancy a girl chained up for twelve hours every day
to a thundering, whizzing, iron machine that never gets tired. The
machine's just as fresh at six o'clock at night as it was at six
o'clock in the morning, and just as anxious to maim her if she doesn't
look out for herself--more anxious. The whole thing's still going on;
they're at it now, this very minute. You're interested in a factory,
aren't you, G.J.?"
"Yes," he answered gently, but looked with seemingly callous firmness
down at her.
"The Reveille Company, or some such name."
"Yes."
"Making tons of money, I hear."
"Yes."
"You're a profiteer, G.J."
"I'm not. Long since I decided I must give away all my extra profits."
"Ever go and look at your factory?"
"No."
"Any nice young girls working there?"
Public-domain text, read in full here on John Shaqi.
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