As the impossibility of moving him forced itself upon her unwilling
understanding, so the wildest passion for him grew, and when he left in
September she was quite ill for a week with chagrin; then she became
moody and more than ever capricious, and made Stanislass' life a hell,
while Ferdinand Ardayre had little less misery to endure.
An incident late in November caused her jealousy to burst into flame.
She heard that Verisschenzko had returned from Russia and she went to his
rooms to see him. The Russian servant who was accustomed to receive her
was there waiting for his master who had not yet arrived. Without a word
she passed the old man when he opened the door, and made her way into the
sitting room, and then into the bedroom beyond. She did not believe that
Stepan was not there and wanted to make sure. It was empty but a light
burned before an Ikon, the doors of which were closed.
Curiosity made Harietta go close and examine it. She knew the room so
well and had never seen it there before. The table beneath it was
arranged like an altar, and the Ikon was let in to the carved boiserie of
the wall. It must have been since he had parted with her that this
ridiculous thing had been done! She had not entered his _appartement_
since June. She felt angry that the shrine should be closed and that she
could not look upon it, for it must certainly be something which
Verisschenzko prized.
She bent nearer and shook the little doors; they resisted her, and her
temper rose. Then some force seemed to propel her to commit sacrilege.
She shook and shook and tore at the golden clasp, her irritation giving
strength and cunning to her hands; and at last the small bolt came undone
and the doors flew open--and an exquisitely painted modern picture of the
Virgin disclosed itself, holding the Christ child in her arms. But for
all the saintliness in the eyes of Mary, the face was an exact portrait
of Amaryllis Ardayre!
A frenzy of rage seized Harietta. Her rival reigned now indeed! This was
positive proof to her, not of spiritual meaning--not of the mystic,
abstract aloofness of worship which lay deep in Stepan's nature and had
caused him to have Amaryllis transfigured into the symbol of purity, a
daily reminder that she must always be for him the lady of his soul--such
things had no meaning for Harietta. The Ikon was merely a material proof
that Verisschenzko loved Amaryllis--and, of course, as soon as the year
of mourning should be over he would make her his wife.
She trembled with passionate resentment. Nothing had ever moved her so
forcibly. She took out her pearl hatpin and stabbed out the eyes of the
Virgin, almost shaking with passion, and scratched and obliterated the
face of the Christ child. This done, she extinguished the little lamp and
slammed to the doors.
She laughed savagely as she went back into the sittingroom.
Public-domain text, read in full here on John Shaqi.
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