MILDRED went to bed that night proud of her strength of character. Were
there many women--was there any other woman she knew or knew about--who
in her desperate circumstances would have done what she had done? She
could have married a man who would have given her wealth and the very
best social position. She had refused him. She could have continued
to "borrow" from him the wherewithal to keep her in luxurious comfort
while she looked about at her ease for a position that meant
independence. She had thrust the temptation from her. All this from
purely high-minded motives; for other motive there could be none. She
went to sleep, confident that on the morrow she would continue to tread
the path of self-respect with unfaltering feet. But when morning came
her throat was once more slightly off--enough to make it wise to
postpone the excursion in search of a trial for musical comedy. The
excitement or the reaction from excitement--it must be the one or the
other--had resulted in weakness showing itself, naturally, at her
weakest point--that delicate throat. When life was calm and orderly,
and her mind was at peace, the trouble would pass, and she could get a
position of some kind. Not the career she had dreamed; that was
impossible. But she had voice enough for a little part, where a living
could be made; and perhaps she would presently fathom the secret of the
cause of her delicate throat and would be able to go far--possibly as
far as she had dreamed.
The delay of a few days was irritating. She would have preferred to
push straight on, while her courage was taut. Still, the delay had one
advantage--she could prepare the details of her plan. So, instead of
going to the office of the theatrical manager--Crossley, the most
successful producer of light, musical pieces of all kinds--she went to
call on several of the girls she knew who were more or less in touch
with matters theatrical. And she found out just how to proceed toward
accomplishing a purpose which ought not to be difficult for one with
such a voice as hers and with physical charms peculiarly fitted for
stage exhibition.
Not until Saturday was her voice at its best again. She, naturally,
decided not to go to the theatrical office on Monday, but to wait until
she had seen and talked with Keith. One more day did not matter, and
Keith might be stimulating, might even have some useful suggestions to
offer. She received him with a manner that was a version, and a most
charming version, of his own tranquil indifference. But his first
remark threw her into a panic. Said he:
"I've only a few minutes. No, thanks, I'll not sit."
"You needn't have bothered to come," said she coldly.
Public-domain text, read in full here on John Shaqi.
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