Three women with dusty shoes and brown faces came along under the Downs
to Bignor village. They wore rough brown skirts, white blouses, and
straw hats, and each carried a knapsack strapped over her shoulder.
Now Bignor is particularly and remotely beautiful, especially when you
have left the flat country behind you and climbed up to the church by
the winding lanes. It is pure country, almost uninvaded by modernity,
and so old in the midst of its perennial youth that you might hardly
wonder at meeting a Roman cohort on the march, or a bevy of
bronze-haired British girls laughing and singing between the hedgerows.
The village shop with its timber and thatch might be a wood-cut from a
romance. The Downs rise up against the blue, and their solemn green
slopes, over which the Roman highway climbs, seem to accentuate the
sense of silence and of mystery. Great beech woods shut in steep, secret
meadows. There are lush valleys where the grass grows tall, and flowers
dream in the sunlight.
The three women came to Bignor church, and camped out in the churchyard
to make their midday meal. Eve Carfax was one of them, brown,
bright-eyed, with a red mouth that smiled mysteriously at beauty. Next
to her sat Joan Gaunt, lean, strenuous, with Roman nose, and abrupt
sharp-edged mouth. Her wrists and hands were big-boned and thin. The
line of her blouse and skirt showed hardly a curve. She wore square-toed
Oxford shoes, and very thick brown stockings. Lizzie Straker sat a
little apart, restless even in repose, a pinched frown set permanently
between her eyebrows, her assertive chin uptilted. She was the eloquent
splutterer, a slim, mercurial woman with prominent blue eyes and a lax
mouth, who protruded her lips when she spoke, and whose voice was a
challenge.
Eve had wanted to turn aside to see the remains of the Roman villa, but
her companions had dropped scorn on the suggestion.
“Wasting time on a few old bits of tesselated pavement! What have we got
to do with the Romans? It’s the present that matters!”
Eve had suggested that one might learn something, even from the Romans,
and the glitter of fun in her eyes had set Lizzie Straker declaiming.
“What tosh! And you call yourself an artist, and yet admire the Romans.
Don’t you know that artists were slaves at Rome? Don’t ask me to
consider any society that subsisted on slavery. It’s dead; doesn’t come
into one’s line of vision. I call archæology the most abominable
dilettante rot that was ever invented to make some old gentlemen bigger
bores than their neighbours.”
And so she had spluttered on all the way to Bignor church, working her
voluble mouth, and punching the air with a small brown fist. The
eloquence was still in her when she opened her packet of sandwiches, and
her energy divided itself between declamation and disposing of mouthfuls
of bread and ham.
Public-domain text, read in full here on John Shaqi.
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