Eve slept well, in spite of all her problems. She woke to the sound of a
blackbird singing in the garden, and the bird’s song suited her waking
mood, being just the thing that Nature suggested. She slipped out of
bed, drew back the chintz curtains, and looked out on a dewy lawn all
dappled with yellow sunlight. The soul of the child and of the artist in
her exulted. She wanted to play with colours, to express herself, to
make pictures. Yes; but she wanted more than that, and she knelt down in
her nightdress before the looking-glass, and leaning her elbows on the
table, stared into her own eyes.
She questioned herself.
“Woman, can you trust yourself? It is a big thing, such a big thing,
both for him, and for you.”
It was a sulky breakfast table that morning. Lizzie Straker had the
grumps, and appeared to be on the watch for something that could be
pounced on. She was ready to provoke Eve into contradicting her, but the
real Eve, the Eve that mattered, was elsewhere. She hardly heard what
Lizzie Straker said.
“We move on this evening!”
“Oh!”
“Does that interest you?”
“Not more than usual.”
A telegram lay half hidden under Joan Gaunt’s plate.
“Lizzie and I are going off for a ramble.”
The hint that Eve was not wanted was conveyed with frankness.
“You had better stay in.”
“Dear comrade, why?”
“Well, you are known here.”
“That doesn’t sound very logical. Still, I don’t mind.”
The dictator in Joan Gaunt was speaking, but Eve was not irked by her
tyranny on this particular morning. She was ready to laugh gently, to
bear with these two women, whose ignorance was so pathetic. She would be
content to spend the day alone, sitting under one of the elms at the end
of the bowling green, and letting herself dream. The consciousness that
she was on the edge of a crisis did not worry her, for somehow she
believed that the problem was going to solve itself.
Joan Gaunt and Lizzie Straker started out from Basingford soon after
nine, and chartered a small boy, who, for the sum of a penny, consented
to act as guide to Fernhill. But all this was mere strategy, and when
they had got rid of the boy, they turned aside into the fir woods
instead of presenting themselves at the office where would-be visitors
were supposed to interview one of the clerks. Joan Gaunt had a rough map
drawn on a piece of note-paper, a map that had been sent down from
headquarters. They explored the fir woods and the heath lands between
Fernhill and Orchards Corner, and after an hour’s hunt they discovered
what they had come in search of—Canterton’s new cottage standing with
white plaster and black beams between the garden of rocks and the
curtained gloom of the fir woods.
Joan Gaunt scribbled a few additional directions on the map. They struck
a rough sandy road that was used for carting timber, and this woodland
road joined the lane that ran past Orchards Corner. It was just the
place for Galahad’s car to be hidden in while they made their night
attack on the empty cottage.
Public-domain text, read in full here on John Shaqi.
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