They went into the little drawing-room that was Eve’s despair when she
felt depressed. This room was Mrs. Carfax’s _lararium_, containing all
the ugly trifles that she treasured, and some of the ugliest furniture
that ever was manufactured. John Carfax had been something of an amateur
artist, and a very crude one at that. He had specialised in genre work,
and on the walls were studies of a butcher’s shop, a fruit stall, a fish
stall, a collection of brass instruments on a table covered with a red
cloth, and a row of lean, stucco-fronted houses, each with a euonymus
hedge and an iron gate in front of it. The carpet was a Kidderminster,
red and yellow flowers on a black ground, and the chairs were
upholstered in green plush. Every available shelf and ledge seemed to be
crowded with knick-knacks, and a stuffed pug reclined under a glass case
in the centre of a walnut chiffonier.
Eve understood her mother’s affection for all this bric-à-brac, but
to-night, when she came in out of the dew-washed dusk, the room made her
shudder. She wondered what effect it would have on Canterton, though she
knew he was far too big a man to sneer.
Mrs. Carfax, in black dress and white lace cap, sat in one of the green
plush arm-chairs. She was always pleased to see people, and to chatter
with amiable facility. And Canterton could be at his best on such
occasions. The little old lady thought him “so very nice.”
“It is so good of you to come down and see Eve’s paintings. Eve, dear,
fetch your portfolio. I am so sorry I could not come to Mrs. Canterton’s
garden party, but I have to be so very careful, because of my heart. I
get all out of breath and in a flutter so easily. Do sit down. I think
that is a comfortable chair.”
Canterton sat down, and Eve went for her portfolio.
“My husband was quite an artist, Mr. Canterton, though an amateur. These
are some of his pictures.”
“So the gift is inherited!”
“I don’t think Eve draws so well as her father did. You can see——”
Canterton got up and went round looking at John Carfax’s pictures. They
were rather extraordinary productions, and the red meat in the butcher’s
shop was the colour of red sealing wax.
“Mr. Carfax liked ‘still life.’”
“Yes, he was a very quiet man. So fond of a littlelararium fishing—when
he could get it. That is why he painted fish so wonderfully. Don’t you
think so, Mr. Canterton?”
“Very probably.”
Eve returned and found Canterton studying the row of stucco houses with
their iron gates and euonymus hedges. She coloured.
“Will the lamp be right, Eve, dear?”
“Yes, mother.”
She opened her portfolio on a chair, and after arranging the lamp-shade,
proceeded to turn over sketch after sketch. Canterton had drawn his
chair to a spot where he could see the work at its best. He said
nothing, but nodded his head from time to time, while Eve acted as
show-woman.
Mrs. Carfax excelled herself.
“My dear, how queerly you must see things. I am sure I have never seen
anything like that.”
“Which, mother?”
Public-domain text, read in full here on John Shaqi.
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