He gave her an envelope he had in his pocket. It contained nothing but
some seeds he had taken from a plant a few days ago, but the ruse
served.
Canterton left the parcel of pictures at one of the lodges. It took him
just twenty minutes to reach Basingford station, for he had to walk
through the village after taking some of the field paths at a run. A
solitary milk cart stood in the station yard, and a clattering of cans
came from the up platform. Canterton entered the booking office, glanced
into the waiting-room, and strolled through to the up platform. There
was no Eve. The place was deserted, save for a porter and the driver of
the milk cart, who were loading empty cans on to a truck.
Canterton remembered that he had a freight bill in his pocket, and that
he owed the railway company three pounds and some odd silver. He called
the porter.
“Gates!”
The man came at once, touching his cap.
“Is the goods office open?”
“Yes, sir.”
“I have a bill I owe them. Anyone there to take the money?”
“They’ll be ready for that, Mr. Canterton.”
“Oh, by the way, Gates, did Miss Carfax catch her train all right? I
mean the early one?”
“The lady from Orchards Corner, sir?”
“Yes. You know Miss Carfax.”
“To be sure. She was earlier than me, sir, and down here before I got
the booking office swept out.”
“That’s good. I’m glad she caught it. Good morning, Gates.”
“Good morning, sir.”
As Canterton walked across to the goods office, he found himself
confessing to a bitter and helpless sense of defeat. He had made this
woman suffer, and it seemed out of his power now even to humble himself
before her. She had fled out of his life, and appealed to him not to
follow her—not to try and see her. It was better for them both, she had
said, to try and forget, but he knew in his heart of hearts that it
would never be forgotten.
PART II
CHAPTER XXII
BOSNIA ROAD
It is a suggestive thought that the characteristic effects of our
execrable climate have nowhere shown themselves more forcibly than in
the atmosphere of the London suburbs. That these suburbs are in some
subtle respects the results of our melancholy grey skies no one can
doubt. Even the raw red terraces scattered among the dingier and more
chastened rows of depressed houses, betray a futile and rather
boisterous attempt to introduce a butcher-boy cheerfulness into a world
of smuts and rain. The older, sadder houses have taken the tint of their
surroundings. They have been poised all these years between the moil and
fog of the city, and a countryside that was never theirs, a countryside
that is often pictured as wrapped in eternal June, but which for nine
months out of the twelve knows grey gloom, mud, and rain.
Public-domain text, read in full here on John Shaqi.
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