The Pride of PalomarKyne, Peter B. (Peter Bernard)
General
The Pride of Palomar
Kyne, Peter B. (Peter Bernard)
Asian Americans -- Fiction; California -- Fiction; Ranch life -- Fiction; Western stories
There could be no mistaking his purpose. With a cry that was curiously
animal-like, the man ran for the nearest brush. Twenty feet from him,
Pablo made his cast and shrieked exultantly as the loop settled over
his prey. A jerk and it was fast around the fellow's mid-riff; a half
hitch around the pommel, a touch of a huge Mexican spur to the flank of
the fleet little black thoroughbred and Pablo Artelan was headed for
home! He picked his way carefully in order that he might not snag in
the bushes that which he dragged behind him, and he leaned forward in
the saddle to equalize the weight of the THING that bumped and leaped
and slid along the ground behind him. There had been screams at first,
mingled with Pablo's exultant shouts of victory, but by the time the
river was reached there was no sound but a scraping, slithering
one--the sound of the vengeance of Pablo Artelan.
When he reached the wagon road he brought the mare to a walk. He did
not look back, for he knew his power; the scraping, slithering sound
was music to his ears; it was all the assurance he desired. As calmly
as, during the spring round-up, he dragged a calf up to the branding
fire, he dragged his victim up into the front yard of the Rancho
Palomar and paused before the patio gate.
"Ho! Senor Parker!" he shouted. "Come forth. I have something for
the _senor_. Queeck, _Senor_!"
The gate opened and John Parker stepped out. "Hello, Pablo! What's
all the row about?"
Pablo turned in his saddle and pointed. "_Mira_! Look!" he croaked.
"Good God!" Parker cried. "What is that?"
"Once he use' for be one Jap. One good friend of you, I theenk, Senor
Parker. He like for save you much trouble, I theenk, so he keel my Don
Mike--an' for that I have--ah, but you see! An' now, senor, eet is all
right for take the Rancho Palomar! Take eet, take eet! Ees nobody for
care now--nobody! Eef eet don' be for you daughter I don't let you
have eet. No, sir, I keel it you so queeck--but my Don Mike hes never
forget hes one great _caballero_--so Pablo Artelan mus' not forget,
too--you sleep in theese hacienda, you eat the food--ah, senor, I am so
'shame' for you--and my Don Mike--hees dead--hees dead--"
He slid suddenly off the black mare and lay unconscious in the dust
beside her.
CHAPTER XXIV
Once again a tragic scene had been enacted under the shade of the
catalpa tree before the Farrel hacienda. The shock of a terrible,
unexpected trend of events heralded by the arrival of Pablo Artelan and
his victim had, seemingly, paralyzed John Parker mentally and
physically. He felt again a curious cold, weak, empty feeling in his
breast. It was the concomitant of defeat; he had felt it twice before
when he had been overwhelmed and mangled by the wolves of Wall Street.
He was almost nauseated. Not at sight of the dusty, bloody, shapeless
bundle that lay at the end of Pablo's riata, but with the realization
that, indirectly, he had been responsible for all of this.
Public-domain text, read in full here on John Shaqi.
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