Probably most persons to-day would look upon these words as a somewhat overdrawn picture, and it is to be hoped that we shall not be considered wanting in respect in taking a somewhat less rigid view. Perhaps we may apply the same principles as St. Francis of Sales applies to persons living in the world assisting at parties, balls, and social dissipations generally [5]--that such things should be taken with caution and not too frequently, in which case the recreation and other good which they provide may be obtained, and the harm avoided. Thus, if it be argued that the need of recreation in the modern world is great, that the stage contains much that is entertaining, or at times even elevating, and that its evils may be counteracted in the case of one who is solidly instructed in his religion, a strong case might be made in favour of frequenting the theatre provided it is not done too often, and that one knows that there are dangers lurking which require watchfulness and care. It may be urged that Cardinal Manning, from his very nature, never realised the necessity or use of real recreation, for he seemed able to work continuously without any; and, moreover, the particular recreation of the theatre was to a great extent a closed book to him, for it is well known that early in life he made a resolution not to put his foot inside one, and he kept it throughout his life. This would seem to be a justification for at least taking a somewhat less rigid view than his on the matter. But in the case of the priest, the question is totally different. Such dissipation in such surroundings is incompatible with his general life, and out of harmony with the stern seriousness of the priestly vocation. It prevents recollection at a time of day when it is especially needed, and his morning's Meditation and mass must suffer. Moreover, a priest in a Roman collar is an official, and must not countenance by his presence the indecorum which is of such frequent occurrence in every theatre. Yet one has heard of some priests regretting the law; but the arguments put forward by them do not appeal with much force. One is that the theatre has changed since the law was made and it is not now objectionable as it once was. It is remarkable to note how this has always been said. So far back as the time of Dr. Milner this argument was used, as he himself testified. It is probable that as times goes on, plays become more outwardly respectable, and the improprieties are less emphasised; possibly for that very reason they are more insidious. The general spirit of the theatre does not seem to change, and is not likely to.