Portugal -- History -- Joseph, 1750-1777 -- Fiction
We must again request our readers to understand, that we do not affirm
that Don Luis was in love with Donna Clara; but that we merely wish to
explain clearly that he was not at all likely to forget her, which
circumstance may be of consequence to remember for the elucidation of
the subsequent part of this narrative; to hasten on with which, we need
not give the conversation which took place between them, because, also,
though highly interesting to themselves, it may not be so to our
readers.
At length, however, Donna Clara appeared to be seized with a fit of
timidity, wherefore we do not know; for Don Luis was most respectful,
and he intended to appear as reserved and cold as he was fully convinced
he felt; and we can only guess, therefore, that it was at the time he
was employed in making that mental portrait we have described, in which
process his eyes were necessarily fixed on her fair features. Now his
eyes had a melancholy, tender glance, owing to his late unhappiness; and
we have observed that, from the pitying nature of the female heart, such
always make the strongest impression on it; and it is a fact for which
we will vouch, that, precisely at the same time, she was making the same
use of her eyes, in drawing on her mind, though in a slightly different
way; for, while his were fixed while he spoke, with a steady gaze, her
glances were but for a moment, ever and anon, lifted to his countenance,
and again quickly thrown on the ground, as a miniature painter does in
the practice of his art. Now, the young people were taking each other's
miniatures in the most artistical way, though they were not aware of it;
nor was the operation quite finished (for they found much pleasure in
prolonging it) when Goncalo Christovao entered the room to relieve his
daughter from the slight embarrassment she was beginning to feel. The
morning meal was then placed on the table; and, during the time
necessarily employed in discussing it, they threw in a few finishing
touches, before omitted, which certainly made the portraits very
perfect--fully equal to those from the pencil of Rochard, who so
frequently, while preserving an exact likeness, improves on the beauty
of the originals; though it was impossible such should be the case with
the miniature Don Luis carried away of Donna Clara, however much she
might have flattered him.
Breakfast in those days was composed of different materials from what it
is at present in England, tea being used by very few in the morning
except as a medicine, light wine and water being drunk instead, with a
little bread, the noon-day meal and the supper being the only
substantial repasts.
During the course of conversation, Donna Clara mentioned a serious loss
which had occurred to her of a small case of jewels. "I prized them
highly, not for their intrinsic value, but that they were my beloved
mother's; nor have I even ever lifted them from the box since she last
placed them there."
Public-domain text, read in full here on John Shaqi.
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