Portugal -- History -- Joseph, 1750-1777 -- Fiction
We left him, followed by his train, riding through the narrow and
winding street of Leiria, towards the gate by which he had entered the
previous evening. As he wound down the rugged pathway, after passing
the gates, he cast a last look at the battered moss-grown walls, and
ruined towers of that ancient town, now for ever associated in his mind
with the fair young being from whom he had there parted, and then,
putting spurs to his horse, he galloped on, at the great risk of
breaking his neck, his followers in vain endeavouring to keep him in
view. His luggage also would certainly have been left to the mercy of
the brigands, had he not fortunately recollected that such might be its
fate; so he wisely drew in his rein, and allowed his horse to proceed at
its own pace till his party should come up with him.
He could not discover the reason, but so it was, that, although
proceeding towards his home, he did not enjoy his morning ride half so
much as that of the last evening. It could not be because a certain
young lady was travelling south while he was going north; for he
thought, and fancied that he thought very wisely, that he could not take
any interest in one, although he acknowledged her to be very lovely,
whom he had neither seen nor heard of twenty hours before. He concluded
that it was because he disliked solitude, and he had now no one with
whom to converse; but, for some reason or other, he did not think half
so much of the infidelity and treachery of Donna Theresa; and when he
did think of the subject, he began rather to pity her, and to
congratulate himself on having escaped from the toils of a heartless
coquette. It was some time, however, before the last happy idea
occurred to him, for at first his feelings towards her were rather
bitter; then he was angry with himself for indulging in them, and then
very miserable, and then, as if by magic, appeared the portrait he had
Daguerreo-typed in the morning, of Donna Clara in her travelling mantle
of blue silk.
Public-domain text, read in full here on John Shaqi.
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