The Count smiled darkly, as he spoke. "You know that I love you, lady, and my love is not a weak, puny passion, to be thrown aside at pleasure; nor will I yield it to any power but the Church, against which even I cannot strive; so do not persuade yourself, that I am, like a boy, to be gained over, by prayers or tears, to do what I should most assuredly repent of. For the present, I yield to your wishes, and leave you; but to-morrow I shall return, and claim the fulfilment of your father's promise." The Count, on this, bowed profoundly, and joined her brother, who was standing at some little distance, and to whom he expressed his conviction that he possessed a rival in his sister's affections in the person of Don Luis d'Almeida, when they together left the palace. Poor Clara watched their departure with anxiety. What fears does love conjure up in a woman's breast! She knew her brother's fiery temper, and dreaded the Count's vindictive disposition. They might encounter Don Luis; they would quarrel, and he would fall a victim to their anger. She longed to be able to seek Don Luis, and to warn him of his danger; or to have some trusty messenger whom she could send to assist him; but she felt that she was helpless, and so completely did her agitation overcome her, that she was obliged to fly to her own chamber, to give way to her feelings in tears. The old marchioness was excessively angry when she found that the Count had quitted the party, and she could nowhere see Donna Clara. The fidalgo, who had been deeply engaged in a game of cards, knew nothing of his daughter; and when, at last, it was discovered that she had retired to her chamber, which no persuasions could induce her to leave, the old lady grew more sour than ever, and vowed she would never again be guilty of the folly and wickedness of giving a party to please any human beings, as other old ladies have often since done, when their _soirees_ have not gone off as well as they expected. Balls in those days, in Portugal, were very solemn affairs, the stately and sedate cotillon being the only dance allowed, people endeavouring, by outward gravity and decorum, to make amends for universal license and depravity of morals; hoops, bag-wigs, and swords, not increasing any inclination for saltatory amusements. How far better is the graceful and animating waltz, the inspiriting galop, and the conversational quadrille, of the present day, with the really correct behaviour so general in society.