Portugal -- History -- Joseph, 1750-1777 -- Fiction
We have often, on entering a church or palace in Italy, been directed to
some picture, kept closely veiled from the vulgar eye; and, as the
curtain was drawn aside, have been delighted, by viewing the lovely
portrait of a Madonna or Venus from the pencil of Rafaelle or Titian;
and far more, as the dignified cavalier drew aside the curtains of the
litter, would the eyes of our readers have been enraptured, by the
vision of bright and rare beauty which was disclosed; for surely, not
even those great masters of the sublime art could, in their most
blissful moments, have conceived or executed aught more perfect.
"Oh, Jesus Maria, how lovely!" exclaimed the laughing Rosa, paying an
unaffected tribute of admiration to nature's choicest work; and clapping
her hands with delight, as the Portuguese peasantry invariably do, when
they behold anything that causes admiration or surprise, she ran forward
to offer her services.
The lovely vision we have mentioned was, as the acute reader may have
supposed, a young lady; and, as she descended from the litter, leaning
on the gentleman's arm, her figure was perceived to be rather above the
ordinary height of her countrywomen, but slender, and most gracefully
formed; her face, as we have said, was beautiful, and very fair, with
light brown ringlets escaping from under the blue hood of her travelling
dress. In those days, the fashion of wearing bonnets had not been
introduced even among the highest ranks; the hood or veil, thrown over
the head, being considered sufficient protection; and certainly, a more
elegant covering than the head-dresses worn in France or England at the
same period. Indeed, an out-of-doors dress was scarcely required, as
ladies seldom appeared abroad, except in their carriages or chairs: even
in the present day, were they to take more exercise than they are in the
habit of doing, their youthful promise of beauty would not be so sadly
unrealised, as it too frequently is. As soon as the young lady had
alighted, and had been ushered into the inn, the other litters drew up,
from the first of which descended a respectable-looking old dame, with
spectacles on nose, a parrot on a stand, two bird-cages, and a sleek,
long-haired Angola cat. From the appearance of the old lady, she was
the _Ama_, the nurse, or governess to the fair girl. A damsel followed
her out of the litter, with sundry packages and baskets of eatables.
Two other waiting women got out of the third litter, short, dark, and
black-eyed girls; while the fourth was empty, probably, for the
accommodation of the master. Five or six baggage-mules, and two mounted
men-servants, brought up the rear, besides a number of drivers belonging
to the litters and mules, who kept up with the cavalcade on foot.
Public-domain text, read in full here on John Shaqi.
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