Lloyd George, David, 1863-1945; Prime ministers -- Great Britain -- Biography
In literature and art Mr. Lloyd George does not pretend to be among the
elect. He gives himself no airs and has no pretensions. He is just
himself. He states, without parley, his own genuine opinions on books
and pictures; and, as that is the rarest habit in the world, it is
always interesting. Nine out of ten literary and artistic judgments are
reflections or echoes—repeated at second-hand from some bolder speaker,
or even vaguely salvaged from the dim abysses of memory. The most
refreshing thing in the world, therefore, is an honest, fresh, and
original judgment. It is characteristic of Mr. Lloyd George that he
never hesitates to give that in any company.
In literature he votes with both hands for Byron, perhaps because Byron
is the poet of liberty, and also because that great writer, with all his
faults, has the quality of daring. But he boldly contends that the Welsh
are among the greatest of modern poets; and he will recite their verses
at large, even to English friends, in order to confirm his claim.
In prose, he is devoted to George Meredith.
In music, he places Handel first among his heroes. There, again, in
great works like the _Messiah_, he seems to discover some quality of
sublimity which elates and inspires him.
But there, again, his living passion is really nationalist and based on
national affections. The only music that profoundly moves him—touches
his soul—is the music of the old Welsh hymns and folk-songs. Not long
ago he spoke up boldly for the music and literature of his own nation
before all the world.[145] There he voiced his own deepest conviction on
these matters. The music and songs of his own people strike the deepest
chord in his nature.
In religion his outlook always seems to be broadly Christian rather than
sectarian. Brought up in his uncle’s creed of the “Disciples of Christ,”
which is really an attempt to hark back to the purity of the early
Gospel teaching, he has an inherited hatred for dogmas. He is very fond
of such parables as those of the Good Samaritan, which he instinctively
regards as the best comment on the claims of priestcraft.
Public-domain text, read in full here on John Shaqi.
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