The Primrose Path: A Chapter in the Annals of the Kingdom of FifeOliphant, Mrs. (Margaret)
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The Primrose Path: A Chapter in the Annals of the Kingdom of Fife
Oliphant, Mrs. (Margaret)
Fife (Scotland) -- Fiction
“My father was old-fashioned, Mr. St. John, and never would give up
the old kirk. I think he thought it was right to go, to countenance
the common people. I always say it is a disgrace, that it is they who
have the parish churches in Scotland, just the set of people who are
dissenters here; but I assure you all the gentry go to the English
Church.”
Mr. St. John, though he was a little appalled by that generalization,
and did not like to learn that “the common people” were dissenters,
or that any church but the Anglican could be called “old,” yet
nevertheless was not so shocked as he might have been, thinking, good
man, that the common people in Fife probably spoke Gaelic, and that
this was the reason why they had their service separate from the
gentry. He began immediately to talk to Margaret about the beauty and
pathos of Celtic music, which bewildered her extremely, for naturally
Margaret Leslie, who had scarcely ever been out of the East Neuk till
her father’s death, had never heard a word of Gaelic in her life.
And now at last Bell’s fondest desires were carried out. The little
town which was near, and which the lessening limits of this history
forbid us to touch upon, was a cathedral town full of music and with
many educational advantages; for there were numerous schools in the
neighborhood, and masters came from town to supply the demand two or
three times a week. Margaret began to play upon the “piany,” as Bell
had always longed to have her do, and to speak French. We cannot assert
that she made very much progress in the former accomplishment with her
untrained fingers and brief patience; but she had a pretty voice and
learned to sing, which is perhaps a rarer gift, though it cannot be
denied that she abused this privilege and went about the house and the
garden, and even the park, singing at the top of her voice, till her
sisters were provoked into expostulation. “What is the use of teaching
you,” Jean cried, “when you go singing, singing--skirling they would
call it in Fife--straining all your high notes? When I was a girl like
you, I was never allowed to open my mouth except for practising, and
when there was an occasion for it. It is all gone now, but I assure you
when I was twenty I was considered to have a very pretty voice. I wish
yours may ever be as good. It will not be so long if you go straining
it in this way. Do you think the birds want to hear you singing?” cried
Mrs. Bellingham, with scorn.
“Oh, dearest Jean! but dear Margaret has much more of a voice than we
ever had. We used to sing duets--”
“Yes, Grace had a little chirp of a second--just what you will come
to, Margaret,” said Mrs. Bellingham, “if you go on as you are doing,
straining all your high tones.”
Public-domain text, read in full here on John Shaqi.
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