The Primrose Path: A Chapter in the Annals of the Kingdom of FifeOliphant, Mrs. (Margaret)
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The Primrose Path: A Chapter in the Annals of the Kingdom of Fife
Oliphant, Mrs. (Margaret)
Fife (Scotland) -- Fiction
And she would have liked him to put on his best black coat when he
went to meet Miss Margaret, and the tall hat he wore on Sundays. “When
you have good claes, why should ye no wear them? She should see that
you ken the fashion and can keep the fashion with the best--as my poor
purse will feel when the bill comes in,” she added, with a sigh. But
at last Rob managed to escape in his ordinary garments, and with the
sketches he had chosen. After the events of the day, which had been
a kind of crisis in his career, Rob’s mind was full of a pleasant
excitement; all things seemed once more to promise well for him--if
only this little lady of romance would keep her promise. Would she come
again? or had he been flattering himself, supposing a greater interest
in her mind than really existed, or a greater freedom in her movements?
He lingered about for some time, watching the sun as it lighted up
the west, and began to paint the sky with crimson and purple; and as
he watched it, Rob was natural enough and innocent enough to forget
most other things. Who could attempt to put that sky upon paper? There
was all the fervor of first love in his enthusiasm for art, and as
he pondered what color could give some feeble idea of such a sky, he
thought no more of Margaret. What impossible combination could do it?
And if it was done, who would believe in it? He looked at the growing
glory with that despair of the artist which is in itself a worship. Rob
was not an artist to speak of, yet he had something of the “feeling”
which makes one, and all the enthusiasm of a beginner just able to make
some expression of his delight in the beauty round him; and there is no
one who sees that beauty so clearly, and all the unimaginable glories
of the atmosphere, the clouds and shadows, the wonderful varieties of
color of which our northern heaven is capable, as the artist, however
humble. He was absorbed in this consideration, wondering how to do it,
wondering if he ever could succeed in catching that tone of visionary
light, that touch of green amidst the blue--or whether he would not
be condemned as an impostor if he tried, when suddenly his book of
sketches was softly drawn out of his hand. Looking round with a start,
he saw Margaret by his side. She had stolen upon him ere he was aware,
and her laugh at having taken him by surprise changed into her habitual
sudden blush as she caught his eye.
“You need not mind me,” she said, confused. “I am very happy, looking
at the pictures. Are you trying to make a picture out of that sky?”
“If I could,” he said; “but I don’t know how to do it; and if I did,
it would not be believed, though people see the sunset every day. Did
you ever see a Turner, Miss Margaret? Do you know he was the greatest
artist--one of the greatest artists?”
“I have heard his name; but I never saw any pictures, never one except
our own, and a few in other houses. I have heard, or rather I have read
that name. Did he paint landscapes like you?”
Public-domain text, read in full here on John Shaqi.
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