The Primrose Path: A Chapter in the Annals of the Kingdom of FifeOliphant, Mrs. (Margaret)
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The Primrose Path: A Chapter in the Annals of the Kingdom of Fife
Oliphant, Mrs. (Margaret)
Fife (Scotland) -- Fiction
This train of thought was interrupted by Margaret, who came back to him
walking softly, and putting her finger to her lips. “Papa has fallen
asleep again,” she said, half annoyed, half anxious, and she pushed
open softly the door of the little west chamber. “Here, come here!” she
said, and went in before him, pointing to a chair and clearing Lady
Jean’s work and other obstacles with her own hands from the table. “Now
let me see them,” she cried. How eager she was, how full of interest
and admiration! She spread the portfolio open before him which she
had herself snatched from his hands and carried to her father. In
it was the drawing of the Kirkton which his mother had suggested he
should give “in a present” to Margaret. She was not aware yet of this
happiness; but she was as simple as Mrs. Glen in ready admiration,
and it seemed to her that nothing ever was more beautiful. “Oh!” she
cried, struck dumb with wonder and delight. She said nothing more at
first, then suddenly burst into ecstasy. “Did you ever see it from the
tower, Mr. Glen? Oh, it does not look like that, you are so high above
it. But I know that look just as well; that might be from the wood.
It would be in the morning when the dew was on the grass. It would be
when everything was quiet, the men away to their work, the children
in the school, the women in their houses--and the church standing
against the sky: oh, how can you paint things that are not things?”
cried Margaret--“the air, and the light, and the wind, and the shadows
flying, and the clouds floating! Oh, how can you do it? how can you do
it?”
Rob was carried away by this flood of delicious praise; he stood modest
and blushing, deprecating, yet happy. He knew at the bottom of his
heart that his drawing was not a poem like this, but only very ordinary
water-color. He did not know what to say.
“You make me ashamed of my poor work. It ought to be a great deal
better to deserve to be looked at at all. The beauty is in your eyes,”
he said. But Margaret took no notice of this speech. She put that
portfolio aside, and opened the other, and plunged into a world of
amusement. These were his more finished works, the larger drawings
which he had done from his sketches; and, indeed, Rob had spent a great
deal of time and trouble upon them; they had occupied him when he was
going through the squabbles and controversies of the last few months.
They had been his refuge and shelter from a great deal of annoyance;
and sometimes, when he looked at them, he had thought they might be
worthy of exhibition, and perhaps might help to make his fortune--at
least might open the door to him and put him in the way of making his
fortune. But at other times he fell into gulfs of despair, and saw
the truth, which was that they were only very tolerable studies of
an amateur. He shook his head now while Margaret praised them. “Only
daubs,” he said, “only scratches. Ah, you should see real artist work.
I am only an amateur.”
Public-domain text, read in full here on John Shaqi.
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