London (England) -- Social life and customs -- 19th century -- Fiction
made one’s own situation seem a play within the play. The act was a
long one, and the repose in which his companions left him might have
been a calculated indulgence, to enable him to get used to them, to see
how harmless they were. He looked at Millicent, in the course of time,
and saw that Captain Sholto, seated beside her, had not the same
standard of propriety, inasmuch as he made a remark to her every few
minutes. Like himself, the young lady in the balcony was losing the
play, thanks to her eyes being fixed on her friend from Lomax Place,
whose position she thus endeavoured to gauge. Hyacinth had quite given
up the Paraguayan complications; by the end of the half-hour his
attention might have come back to them, had he not then been engaged in
wondering what the Princess would say to him after the descent of the
curtain—or whether she would say anything. The consideration of this
problem, as the moment of the solution drew nearer, made his heart
again beat faster. He watched the old lady on his left, and supposed it
was natural that a princess should have an attendant—he took for
granted she was an attendant—as different as possible from herself.
This ancient dame was without majesty or grace; huddled together, with
her hands folded on her stomach and her lips protruding, she solemnly
followed the performance. Several times, however, she turned her head
to Hyacinth, and then her expression changed; she repeated the jovial,
encouraging, almost motherly nod with which she had greeted him when he
made his bow, and by which she appeared to wish to intimate that,
better than the serene beauty on the other side, she could enter into
the oddity, the discomfort, of his situation. She seemed to say to him
that he must keep his head, and that if the worst should come to the
worst she was there to look after him. Even when, at last, the curtain
descended, it was some moments before the Princess spoke, though she
rested her smile upon Hyacinth as if she were considering what he would
best like her to say. He might at that instant have guessed what he
discovered later—that among this lady’s faults (he was destined to
learn that they were numerous) not the least eminent was an exaggerated
fear of the commonplace. He expected she would make some remark about
the play, but what she said was, very gently and kindly, “I like to
know all sorts of people.”
“I shouldn’t think you would find the least difficulty in that,”
Hyacinth replied.
“Oh, if one wants anything very much, it’s sure to be difficult. Every
one isn’t as obliging as you.”
Hyacinth could think, immediately, of no proper rejoinder to this; but
the old lady saved him the trouble by declaring, with a foreign accent,
“I think you were most extraordinarily good-natured. I had no idea you
would come—to two strange women.”
“Yes, we are strange women,” said the Princess, musingly.
“It’s not true that she finds things difficult; she makes every one do
everything,” her companion went on.
Public-domain text, read in full here on John Shaqi.
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