London (England) -- Social life and customs -- 19th century -- Fiction
Eustache Poupin and his wife (who practically, however, were as patient
as he) did everything they could to make him say so, believing,
evidently, that it would relieve him. Apparently he cared nothing for
women, talked of them rarely, and always decently, and had never a sign
of a sweetheart, unless Lady Aurora Langrish might pass for one. He
never drank a drop of beer nor touched a pipe; he always had a clear
tone, a fresh cheek and a smiling eye, and once excited on Hyacinth’s
part a kind of elder-brotherly indulgence by the open-mouthed glee and
credulity with which, when the pair were present, in the sixpenny
gallery, at Astley’s, at an equestrian pantomime, he followed the
tawdry spectacle. He once told the young bookbinder that he was a
suggestive little beggar, and Hyacinth’s opinion of him, by this time,
was so exalted that the remark had almost the value of a patent of
nobility. Our hero treated himself to an unlimited belief in him; he
had always dreamed of having some grand friendship, and this was the
best opening he had ever encountered. No one could entertain a
sentiment of that sort better than Hyacinth, or cultivate a greater
luxury of confidence. It disappointed him, sometimes, that it was not
more richly repaid; that on certain important points of the socialistic
programme Muniment would never commit himself; and that he had not yet
shown the _fond du sac_, as Eustache Poupin called it, to so ardent an
admirer. He answered particular questions freely enough, and answered
them occasionally in a manner that made Hyacinth jump, as when, in
reply to an inquiry in regard to his view of capital punishment, he
said that, so far from wishing it abolished, he should go in for
extending it much further—he should impose it on those who habitually
lied or got drunk; but his friend had always a feeling that he kept
back his best card and that even in the listening circle in Bloomsbury,
when only the right men were present, there were unspoken conclusions
in his mind which he didn’t as yet think any one good enough to be
favoured with. So far, therefore, from suspecting him of
half-heartedness, Hyacinth was sure that he had extraordinary things in
his head; that he was thinking them out to the logical end, wherever it
might land him; and that the night he should produce them, with the
door of the club-room guarded and the company bound by a tremendous
oath, the others would look at each other and turn pale.
“She wants to see you; she asked me to bring you; she was very
serious,” Hyacinth said, relating his interview with the ladies in the
box at the play; which, however, now that he looked back upon it,
seemed as queer as a dream, and not much more likely than that sort of
experience to have a continuation in one’s waking hours.
Public-domain text, read in full here on John Shaqi.
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