London (England) -- Social life and customs -- 19th century -- Fiction
“Or a fisherman, if you like better still. I give you your choice of
comparisons. I made them up as we came along in the hansom. He throws
his nets and hauls in the little fishes—the pretty little shining,
wriggling fishes. They are all for her; she swallows ’em down.”
“For her? Do you mean the Princess?”
“Who else should I mean? Take care, my tadpole!”
“Why should I take care? The other day you told me not to.”
“Yes, I remember. But now I see more.”
“Did he speak of her? What did he say?” asked Hyacinth, eagerly.
“I can’t tell you now what he said, but I’ll tell you what I guessed.”
“And what’s that?”
They had been talking, of course, in a very low tone, and their voices
were covered by Rosy’s chatter in the corner, by the liberal laughter
with which Captain Sholto accompanied it, and by the much more
discreet, though earnest, intermingled accents of Lady Aurora and Miss
Pynsent. But Paul Muniment spoke more softly still—Hyacinth felt a kind
of suspense—as he replied in a moment, “Why, she’s a monster!”
“A monster?” repeated our young man, from whom, this evening, Paul
Muniment seemed destined to elicit ejaculations and echoes.
Muniment glanced toward the Captain, who was apparently more and more
fascinated by Rosy. “In him I think there’s no great harm. He’s only a
conscientious fisherman!”
It must be admitted that Captain Sholto justified to a certain extent
this definition by the manner in which he baited his hook for such
little facts as might help him to a more intimate knowledge of his host
and hostess. When the tea was made, Rose Muniment asked Miss Pynsent to
be so good as to hand it about. They must let her poor ladyship rest a
little, must they not?—and Hyacinth could see that in her innocent but
inveterate self-complacency she wished to reward and encourage the
dressmaker, draw her out and present her still more, by offering her
this graceful exercise. Sholto sprang up at this, and begged Pinnie to
let him relieve her, taking a cup from her hand; and poor Pinnie, who
perceived in a moment that he was some kind of masquerading gentleman,
who was bewildered by the strange mixture of elements that surrounded
her and unused to being treated like a duchess (for the Captain’s
manner was a triumph of respectful gallantry), collapsed, on the
instant, into a chair, appealing to Lady Aurora with a frightened smile
and conscious that, deeply versed as she might be in the theory of
decorum, she had no precedent that could meet such an occasion. “Now,
how many families would there be in such a house as this, and what
should you say about the sanitary arrangements? Would there be others
on this floor—what is it, the third, the fourth?—beside yourselves, you
know, and should you call it a fair specimen of a tenement of its
class?” It was with such inquiries as this that Captain Sholto beguiled
their tea-drinking, while Hyacinth made the reflection that, though he
evidently meant them very well, they were characterised by a want of
Public-domain text, read in full here on John Shaqi.
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