London (England) -- Social life and customs -- 19th century -- Fiction
“I have kept you a long time, but it’s supposed not, usually, to be a
bad place, my salon; there are various things to look at, and perhaps
you have noticed them. Over on that side, for instance, there is rather
a curious collection of miniatures.” She spoke abruptly, quickly, as if
she were conscious that their communion might be awkward and she were
trying to strike, instantly (to conjure that element away), the sort of
note that would make them both most comfortable. Quickly, too, she sat
down before her tea-tray and poured him out a cup, which she handed him
without asking whether he would have it. He accepted it with a
trembling hand, though he had no desire for it; he was too nervous to
swallow the tea, but it would not have occurred to him that it was
possible to decline. When he had murmured that he had indeed looked at
all her things but that it would take hours to do justice to such
treasures, she asked if he were fond of works of art; adding, however,
immediately, that she was afraid he had not many opportunities of
seeing them, though of course there were the public collections, open
to all. Hyacinth said, with perfect veracity, that some of the happiest
moments of his life had been spent at the British Museum and the
National Gallery, and this reply appeared to interest her greatly, so
that she immediately begged him to tell her what he thought of certain
pictures and antiques. In this way it was that in an incredibly short
space of time, as it appeared to him, he found himself discussing the
Bacchus and Ariadne and the Elgin marbles with one of the most
remarkable woman in Europe. It is true that she herself talked most,
passing precipitately from one point to another, asking him questions
and not waiting for answers; describing and qualifying things,
expressing feelings, by the aid of phrases that he had never heard
before but which seemed to him illuminating and happy—as when, for
instance, she asked what art was, after all, but a synthesis made in
the interest of pleasure, or said that she didn’t like England at all,
but loved it. It did not occur to him to think these discriminations
pedantic. Suddenly she remarked, “Madame Grandoni told me you saw my
husband.”
“Ah, was the gentleman your husband?”
“Unfortunately! What do you think of him?”
“Oh, I can’t think—” Hyacinth murmured.
“I wish I couldn’t, either! I haven’t seen him for nearly three years.
He wanted to see me to-day, but I refused.”
“Ah!” said Hyacinth, staring and not knowing how he ought to receive so
unexpected a confidence. Then, as the suggestions of inexperience are
sometimes the happiest of all, he spoke simply what was in his mind and
said, gently, “It has made you very nervous.” Afterwards, when he had
left the house, he wondered how, at that stage, he could have ventured
on such a familiar remark.
Public-domain text, read in full here on John Shaqi.
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