These words, repeating themselves again and again in Hyacinth’s consciousness, appeared to give him wings, to help him to float and soar, as he turned that afternoon out of South Street. He had at home a copy of Tennyson’s poems—a single, comprehensive volume, with a double column on the page, in a tolerably neat condition, though he had handled it much. He took it to pieces that same evening, and during the following week, in his hours of leisure, at home in his little room, with the tools he kept there for private use, and a morsel of delicate, blue-tinted Russia leather, of which he obtained possession at the place in Soho, he devoted himself to the task of binding the book as perfectly as he knew how. He worked with passion, with religion, and produced a masterpiece of firmness and finish, of which his own appreciation was as high as that of M. Poupin, when, at the end of the week, he exhibited the fruit of his toil, and much more freely expressed than that of old Crookenden, who grunted approbation, but was always too long-headed to create precedents. Hyacinth carried the volume to South Street, as an offering to the Princess; hoping she would not yet have left London, in which case he would ask the servant to deliver it to her, along with a little note he had sat up all night to compose. But the majestic butler, in charge of the house, opening the door yet looking down at him as if from a second-storey window, took the life out of his vision and erected himself as an impenetrable medium. The Princess had been absent for some days; the butler was so good as to inform the young man with the parcel that she was on a visit to a ‘juke’, in a distant part of the country. He offered however to receive, and even to forward, anything Hyacinth might wish to leave; but our hero felt a sudden indisposition to launch his humble tribute into the vast, the possibly cold, unknown of a ducal circle. He decided to retain his little package for the present; he would give it to her when he should see her again, and he turned away without parting with it. Later, it seemed to create a sort of material link between the Princess and himself, and at the end of three months it almost appeared to him, not that the exquisite book was an intended present from his own hand, but that it had been placed in that hand by the most remarkable woman in Europe. Rare sensations and impressions, moments of acute happiness, almost always, with Hyacinth, in retrospect, became rather mythic and legendary; and the superior piece of work he had done after seeing her last, in the immediate heat of his emotion, turned into a kind of proof and gage, as if a ghost, in vanishing from sight, had left a palpable relic. XVIII