London (England) -- Social life and customs -- 19th century -- Fiction
amid which the hand of practice endeavoured to disengage a little
beauty—the ugliness of a dingy, belittered interior, of battered,
dispapered walls, of work-tables stained and hacked, of windows opening
into a foul, drizzling street, of the bared arms, the sordid
waistcoat-backs, the smeared aprons, the personal odour, the patient,
obstinate, irritating shoulders and vulgar, narrow, inevitable faces,
of his fellow-labourers. Hyacinth’s relations with his comrades would
form a chapter by itself, but all that may be said of the matter here
is that the clever little operator from Lomax Place had a kind of
double identity, and that much as he lived in Mr Crookenden’s
establishment he lived out of it still more. In this busy, pasty,
sticky, leathery little world, where wages and beer were the main
objects of consideration, he played his part in a manner which caused
him to be regarded as a queer lot, but capable of queerness in the line
of good-nature too. He had not made good his place there without
discovering that the British workman, when animated by the spirit of
mirth, has rather a heavy hand, and he tasted of the practical joke in
every degree of violence. During his first year he dreamed, with secret
passion and suppressed tears, of a day of bliss when at last they would
let him alone—a day which arrived in time, for it is always an
advantage to be clever, if only one is clever enough. Hyacinth was
sufficiently so to have invented a _modus vivendi_ in respect to which
M. Poupin said to him, “_Enfin vous voilà ferme!_” (the Frenchman
himself, terribly _éprouvé_ at the beginning, had always bristled with
firmness and opposed to insular grossness a refined dignity), and under
the influence of which the scenery of Soho figured as a daily, dusky
phantasmagoria, relegated to the mechanical, passive part of experience
and giving no hostages to reality, or at least to ambition, save an
insufficient number of shillings on Saturday night and spasmodic
reminiscences of delicate work that might have been more delicate
still, as well as of certain applications of the tool which he
flattered himself were unsurpassed, unless by the supreme Eustache.
Public-domain text, read in full here on John Shaqi.
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