London (England) -- Social life and customs -- 19th century -- Fiction
“They say it’s a bad year—the blockheads in the newspapers,” Mr
Schinkel went on, addressing himself to the company at large. “They say
that on purpose—to convey the impression that there are such things as
good years. I ask the company, has any gentleman present ever happened
to notice that article? The good year is yet to come: it might begin
to-night, if we like; it all depends on our being able to be serious
for a few hours. But that is too much to expect. Mr Muniment is very
serious; he looks as if he were waiting for the signal; but he doesn’t
speak—he never speaks, if I want particularly to hear him. He only
considers, very deeply, I am sure. But it is almost as bad to think
without speaking as to speak without thinking.”
Hyacinth always admired the cool, easy way in which Muniment comported
himself when the attention of the public was directed towards him.
These manifestations of curiosity, or of hostility, would have put him
out immensely, himself. When a lot of people, especially the kind of
people who were collected at the ‘Sun and Moon’, looked at him, or
listened to him, at once, he always blushed and stammered, feeling that
if he couldn’t have a million of spectators (which would have been
inspiring) he should prefer to have but two or three; there was
something very embarrassing in twenty.
Muniment smiled, for an instant, good-humouredly; then, after a
moment’s hesitation, looking across at the German, and the German only,
as if his remark were worth noticing, but it didn’t matter if the
others didn’t understand the reply, he said simply, “Hoffendahl’s in
London.”
“Hoffendahl? _Gott in Himmel!_” the cabinet-maker exclaimed, taking the
pipe out of his mouth. And the two men exchanged a longish glance. Then
Mr Schinkel remarked, “That surprises me, _sehr_. Are you very sure?”
Muniment continued, for a moment, to look at him. “If I keep quiet for
half an hour, with so many valuable suggestions flying all round me,
you think I say too little. Then if I open my head to give out three
words, you appear to think I say too much.”
“Ah, no; on the contrary, I want you to say three more. If you tell me
you have seen him I shall be perfectly satisfied.”
“Upon my word, I should hope so! Do you think he’s the kind of party a
fellow says he has seen?”
“Yes, when he hasn’t!” said Eustache Poupin, who had been listening.
Every one was listening now.
“It depends on the fellow he says it to. Not even here?” the German
asked.
“Oh, here!” Paul Muniment exclaimed, in a peculiar tone, and resumed
his muffled whistle again.
“Take care—take care; you will make me think you haven’t!” cried
Poupin, with his excited expression.
“That’s just what I want,” said Muniment.
“_Nun_, I understand,” the cabinet-maker remarked, restoring his pipe
to his lips after an interval almost as momentous as the stoppage of a
steamer in mid-ocean.
Public-domain text, read in full here on John Shaqi.
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