London (England) -- Social life and customs -- 19th century -- Fiction
He lay in a bed constituted in a manner so perfect to insure rest that
it was probably responsible in some degree for his restlessness, and in
a large, high room, where long dressing-glasses emitted ghostly glances
even after the light was extinguished. Suspended on the walls were many
prints, mezzotints and old engravings, which Hyacinth supposed,
possibly without reason, to be fine and rare. He got up several times
in the night, lighted his candle and walked about looking at them. He
looked at himself in one of the long glasses, and in a place where
everything was on such a scale it seemed to him more than ever that
Mademoiselle Vivier’s son was a tiny particle. As he came downstairs he
encountered housemaids, with dusters and brooms, or perceived them,
through open doors, on their knees before fireplaces; and it was his
belief that they regarded him more boldly than if he had been a guest
of the usual kind. Such a reflection as that, however, ceased to
trouble him after he had passed out of doors and begun to roam through
the park, into which he let himself loose at first, and then, in
narrowing circles, through the nearer grounds. He rambled for an hour,
in a state of breathless ecstasy; brushing the dew from the deep fern
and bracken and the rich borders of the garden, tasting the fragrant
air, and stopping everywhere, in murmuring rapture, at the touch of
some exquisite impression. His whole walk was peopled with
recognitions; he had been dreaming all his life of just such a place
and such objects, such a morning and such a chance. It was the last of
April, and everything was fresh and vivid; the great trees, in the
early air, were a blur of tender shoots. Round the admirable house he
revolved repeatedly; catching every point and tone, feasting on its
expression, and wondering whether the Princess would observe his
proceedings from the window, and whether, if she did, they would be
offensive to her. The house was not hers, but only hired for three
months, and it could flatter no princely pride that he should be struck
with it. There was something in the way the gray walls rose from the
green lawn that brought tears to his eyes; the spectacle of long
duration unassociated with some sordid infirmity or poverty was new to
him; he had lived with people among whom old age meant, for the most
part, a grudged and degraded survival. In the majestic preservation of
Medley there was a kind of serenity of success, an accumulation of
dignity and honour.
Public-domain text, read in full here on John Shaqi.
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