been struck with its geographical remoteness, and he asked the Princess what she meant, in such a connection, by using the word ‘wretched’. To this she replied that the place was tumbling to pieces, inconvenient in every respect, full of ghosts and bad smells. “That is the only reason I come to have it. I don’t want you to think me more luxurious than I am, or that I throw away money. Never, never!” Hyacinth had no standard by which he could measure the importance his opinion would have for her, and he perceived that though she judged him as a creature still open to every initiation, whose _naïveté_ would entertain her, it was also her fancy to treat him as an old friend, a person to whom she might have had the habit of referring her difficulties. Her performance of the part she had undertaken to play was certainly complete, and everything lay before him but the reason she had for playing it. One of the gardens at Medley took the young man’s heart beyond the others; it had high brick walls, on the sunny sides of which was a great training of apricots and plums, and straight walks, bordered with old-fashioned homely flowers, inclosing immense squares where other fruit-trees stood upright and mint and lavender floated in the air. In the southern quarter it overhung a small, disused canal, and here a high embankment had been raised, which was also long and broad and covered with fine turf; so that the top of it, looking down at the canal, made a magnificent grassy terrace, than which, on a summer’s day, there could be no more delightful place for strolling up and down with a companion—all the more that, at either end, was a curious pavilion, in the manner of a tea-house, which completed the scene in an old-world sense and offered rest and privacy, a refuge from sun or shower. One of these pavilions was an asylum for gardeners’ tools and superfluous flower-pots; the other was covered, inside, with a queer Chinese paper, representing ever so many times over a group of people with faces like blind kittens, having tea while they sat on the floor. It also contained a big, clumsy inlaid cabinet, in which cups and saucers showed themselves through doors of greenish glass, together with a carved cocoanut and a pair of outlandish idols. On a shelf, over a sofa, not very comfortable though it had cushions of faded tapestry, which looked like samplers, was a row of novels, out of date and out of print—novels that one couldn’t have found any more and that were only there. On the chimney-piece was a bowl of dried rose-leaves, mixed with some aromatic spice, and the whole place suggested a certain dampness.