London (England) -- Social life and customs -- 19th century -- Fiction
As he walked up and down the empty drawing-room it occurred to him to
ask himself whether that was mainly what she was keeping him for—so
that he might help her to play one of her tricks on the good people at
Broome. He paced there, in the still candlelight, for a longer time
than he measured; until the butler came and stood in the doorway,
looking at him silently and fixedly, as if to let him know that he
interfered with the custom of the house. He had told the Princess that
what determined him was the thought of the manner in which he might
exercise his craft in her service; but this was only half the influence
that pressed him into forgetfulness of what he had most said to himself
when, in Lomax Place, in an hour of unprecedented introspection, he
wrote the letter by which he accepted the invitation to Medley. He
would go there (so he said) because a man must be gallant, especially
if he be a little bookbinder; but after he should be there he would
insist at every step upon knowing what he was in for. The change that
had taken place in him now, from one moment to another, was that he had
simply ceased to care what he was in for. All warnings, reflections,
considerations of verisimilitude, of the delicate, the natural and the
possible, of the value of his independence, had become as nothing to
him. The cup of an exquisite experience—a week in that enchanted
palace, a week of such immunity from Lomax Place and old Crookenden as
he had never dreamed of—was at his lips; it was purple with the wine of
novelty, of civilisation, and he couldn’t push it aside without
drinking. He might go home ashamed, but he would have for evermore in
his mouth the taste of nectar. He went upstairs, under the eye of the
butler, and on his way to his room, at the turning of a corridor, found
himself face to face with Madame Grandoni. She had apparently just
issued from her own apartment, the door of which stood open, near her;
she might have been hovering there in expectation of his footstep. She
had donned her dressing-gown, which appeared to give her every facility
for respiration, but she had not yet parted with her wig. She still had
her pink French book under her arm; and her fat little hands, tightly
locked together in front of her, formed the clasp of her generous
girdle.
“Do tell me it is positive, Mr Robinson!” she said, stopping short.
“What is positive, Madame Grandoni?”
“That you take the train in the morning.”
“I can’t tell you that, because it wouldn’t be true. On the contrary,
it has been settled that I shall stay over. I am very sorry if it
distresses you—but _che vuole?_” Hyacinth added, smiling.
Madame Grandoni was a humorous woman, but she gave him no smile in
return; she only looked at him a moment, and then, shrugging her
shoulders silently but expressively, shuffled back to her room.
XXIV
Public-domain text, read in full here on John Shaqi.
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