London (England) -- Social life and customs -- 19th century -- Fiction
“I wish I had!” she declared, in a tone charged with such ambiguous
implications that Hyacinth, catching them a moment after she had
spoken, rejoined, with a quick, incongruous laugh—
“No, you would have spoiled everything. He made me see, he made me
feel, he made me do, everything he wanted.”
“And why should he have wanted you, in particular?”
“Simply because I struck him as the right person. That’s his affair: I
can’t tell you. When he meets the right person he chalks him. I sat on
the bed. (There were only two chairs in the dirty little room, and by
way of a curtain his overcoat was hung up before the window.) He didn’t
sit, himself; he leaned against the wall, straight in front of me, with
his hands behind him. He told me certain things, and his manner was
extraordinarily quiet. So was mine, I think I may say; and indeed it
was only poor Poupin who made a row. It was for my sake, somehow: he
didn’t think we were all conscious enough; he wanted to call attention
to my sublimity. There was no sublimity about it—I simply couldn’t help
myself. He and the other German had the two chairs, and Muniment sat on
a queer old battered, hair-covered trunk, a most foreign-looking
article.” Hyacinth had taken no notice of the little ejaculation with
which his companion greeted, in this last sentence, the word ‘other’.
“And what did Mr Muniment say?” she presently inquired.
“Oh, he said it was all right. Of course he thought that, from the
moment he determined to bring me. He knew what the other fellow was
looking for.”
“I see.” Then the Princess remarked, “We have a curious way of being
fond of you.”
“Whom do you mean by ‘we’?”
“Your friends. Mr Muniment and I, for instance.”
“I like it as well as any other. But you don’t feel alike. I have an
idea you are sorry.”
“Sorry for what?”
“That I have put my head in a noose.”
“Ah, you’re severe—I thought I concealed it so well!” the Princess
exclaimed. He admitted that he had been severe, and begged her pardon,
for he was by no means sure that there was not a hint of tears in her
voice. She looked away from him for a minute, and it was after this
that, stopping short, she remarked, as I have related, “He is Diedrich
Hoffendahl.”
Hyacinth stared for a moment, with parted lips. “Well, you _are_ in it,
more than I supposed!”
“You know he doesn’t trust women,” his companion smiled.
“Why in the world should you have cared for any light _I_ can throw, if
you have ever been in relation with him?”
She hesitated a little. “Oh, you are very different. I like you
better,” she added.
“Ah, if it’s for that!” murmured Hyacinth.
Public-domain text, read in full here on John Shaqi.
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