London (England) -- Social life and customs -- 19th century -- Fiction
“Good-morning, my dear fellow. I thought I should find you here!” the
Captain exclaimed. “It’s a good job I’ve met you this way, without
having to go to the house.”
“Who gave you reason to think I was here?” Hyacinth asked; partly
occupied with the appositeness of this inquiry and partly thinking, as
his eyes wandered over his handsome friend, bestriding so handsome a
beast, what a jolly thing it would be to know how to ride. He had
already, during the few days he had been at Medley, had time to observe
that the knowledge of luxury and the extension of one’s sensations
beget a taste for still newer pleasures.
“Why, I knew the Princess was capable of asking you,” Sholto said; “and
I learned at the ‘Sun and Moon’ that you had not been there for a long
time. I knew furthermore that as a general thing you go there a good
deal, don’t you? So I put this and that together, and judged you were
out of town.”
This was very luminous and straightforward, and might have satisfied
Hyacinth, were it not for that irritating reference to the Princess’s
being ‘capable of asking him’. He knew as well as the Captain that it
had been tremendously eccentric in her to do so, but somehow a
transformation had lately taken place in him which made it disagreeable
for him to receive that view from another, and particularly from a
gentleman of whom, on a certain occasion, several months before, he had
had strong grounds for thinking unfavourably. He had not seen Sholto
since the evening when a queer combination of circumstances caused him,
more queerly still, to sit and listen to comic songs in the company of
Millicent Henning and this admirer. The Captain did not conceal his
admiration; Hyacinth had his own ideas about his taking that line in
order to look more innocent. That evening, when he accompanied
Millicent to her lodgings (they parted with Sholto on coming out of the
Pavilion), the situation was tense between the young lady and her
childhood’s friend. She let him have it, as she said; she gave him a
dressing which she evidently intended should be memorable, for having
suspected her, for having insulted her before a military gentleman. The
tone she took, and the magnificent audacity with which she took it,
reduced him to a kind of gratified helplessness; he watched her at last
with something of the excitement with which he would have watched a
clever but uncultivated actress, while she worked herself into a
passion which he believed to be fictitious. He gave more credence to
his jealousy and to the whole air of the case than to her vehement
repudiations, enlivened though these were by tremendous head-tossings
and skirt-shakings. But he felt baffled and outfaced, and took refuge
in sarcasms which after all proved as little as her high gibes; seeking
a final solution in one of those beastly little French shrugs, as
Millicent called them, with which she had already reproached him with
interlarding his conversation.
Public-domain text, read in full here on John Shaqi.
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