“Oh dear, no, not while you’re there.” “Well, I shall ask the Princess about you, and have done with it, once for all.” “Lucky little beggar, with your fireside talks!” the Captain exclaimed. “Where does she sit now, in the evening? She won’t tell you anything except that I’m a nuisance; but even if she were willing to take the trouble to throw some light upon me it wouldn’t be of much use, because she doesn’t understand me herself.” “You are the only thing in the world then of which that can be said,” Hyacinth returned. “I dare say I am, and I am rather proud of it. So far as the head is concerned, the Princess is all there. I told you, when I presented you, that she was the cleverest woman in Europe, and that is still my opinion. But there are some mysteries you can’t see into unless you happen to have a little heart. The Princess hasn’t, though doubtless just now you think that’s her strong point. One of these days you’ll see. I don’t care a straw, myself, whether she has or not. She has hurt me already so much she can’t hurt me any more, and my interest in her is quite independent of that. To watch her, to adore her, to see her lead her life and act out her extraordinary nature, all the while she treats me like a brute, is the only thing I care for to-day. It doesn’t do me a scrap of good, but, all the same, it’s my principal occupation. You may believe me or not—it doesn’t in the least matter; but I’m the most disinterested human being alive. She’ll tell you I’m a tremendous ass, and so one is. But that isn’t all.” It was Hyacinth who stopped this time, arrested by something new and natural in the tone of his companion, a simplicity of emotion which he had not hitherto associated with him. He stood there a moment looking up at him, and thinking again what improbable confidences it decidedly appeared to be his lot to receive from gentlefolks. To what quality in himself were they a tribute? The honour was one he could easily dispense with; though as he scrutinised Sholto he found something in his curious light eyes—an expression of cheerfulness not disconnected from veracity—which put him into a less fantastic relation with this jaunty, factitious personage. “Please go on,” he said, in a moment. “Well, what I mentioned just now is my real and only motive, in anything. The rest is mere gammon and rubbish, to cover it up—or to give myself the change, as the French say.” “What do you mean by the rest?” asked Hyacinth, thinking of Millicent Henning.