London (England) -- Social life and customs -- 19th century -- Fiction
She desired exceedingly that Hyacinth should take her to a music-hall
or a coffee-tavern; she even professed a curiosity to see the inside of
a public-house. As she still had self-possession enough to remember
that if she stayed out beyond a certain hour Madame Grandoni would
begin to worry about her, they were obliged to content themselves with
the minor ‘lark’, as the Princess was careful to designate their peep
into an establishment, glittering with polished pewter and brass, which
bore the name of the ‘Happy Land’. Hyacinth had feared that she would
be nervous after the narrow, befingered door had swung behind her, or
that, at all events, she would be disgusted at what she might see and
hear in such a place and would immediately wish to retreat. By good
luck, however, there were only two or three convivial spirits in
occupancy, and the presence of the softer sex was apparently not so
rare as to excite surprise. The softer sex, furthermore, was embodied
in a big, hard, red woman, the publican’s wife, who looked as if she
were in the habit of dealing with all sorts and mainly interested in
seeing whether even the finest put down their money before they were
served. The Princess pretended to ‘have something’, and to admire the
ornamentation of the bar; and when Hyacinth asked her in a low tone
what disposal they should make, when the great changes came, of such an
embarrassing type as that, replied, off-hand, “Oh, drown her in a
barrel of beer!” She professed, when they came out, to have been
immensely interested in the ‘Happy Land’, and was not content until
Hyacinth had fixed an evening on which they might visit a music-hall
together. She talked with him, largely, by fits and starts, about his
adventures abroad and his impressions of France and Italy; breaking
off, suddenly, with some irrelevant but almost extravagantly
appreciative allusion to Rose Muniment and Lady Aurora; then returning
with a question as to what he had seen and done, the answer to which,
however, in many cases, she was not at pains to wait for. Yet it
implied that she had paid considerable attention to what he told her
that she should be able to say, towards the end, with that fraternising
frankness which was always touching because it appeared to place her at
one’s mercy, to show that she counted on one’s having an equal loyalty,
“Well, my dear friend, you have not wasted your time; you know
everything, you have missed nothing; there are lots of things you can
tell me, and we shall have some famous talks in the winter evenings.”
This last reference was apparently to the coming season, and there was
something in the tone of quiet friendship with which it was uttered,
and which seemed to involve so many delightful things, something that,
for Hyacinth, bound them still closer together. To live out of the
world with her that way, lost among the London millions, in a queer
little cockneyfied retreat, was a refinement of intimacy, and better
Public-domain text, read in full here on John Shaqi.
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