London (England) -- Social life and customs -- 19th century -- Fiction
“What does the beauty want of _our_ poor lady? She has a totally
different stamp. I don’t know much about women, but I can see that.”
“How do you mean—a different stamp? They both have the stamp of their
rank!” cried Rosy.
“Who can ever tell what women want, at any time?” Hyacinth said, with
the off-handedness of a man of the world.
“Well, my boy, if you don’t know any more than I, you disappoint me!
Perhaps if we wait long enough she will tell us some day herself.”
“Tell you what she wants of Lady Aurora?”
“I don’t mind about Lady Aurora so much; but what in the name of long
journeys does she want with _us?_”
“Don’t you think you’re worth a long journey?” Rosy asked, gaily. “If
you were not my brother, which is handy for seeing you, and I were not
confined to my sofa, I would go from one end of England to the other to
make your acquaintance! He’s in love with the Princess,” she went on,
to Hyacinth, “and he asks those senseless questions to cover it up.
What does any one want of anything?”
It was decided, at last, that the two young men should go down to
Greenwich, and after they had partaken of bread and cheese with Rosy
they embarked on a penny steamer. The boat was densely crowded, and
they leaned, rather squeezed together, in the fore part of it, against
the rail of the deck, and watched the big black fringe of the yellow
stream. The river was always fascinating to Hyacinth. The mystified
entertainment which, as a child, he had found in all the aspects of
London came back to him from the murky scenery of its banks and the
sordid agitation of its bosom: the great arches and pillars of the
bridges, where the water rushed, and the funnels tipped, and sounds
made an echo, and there seemed an overhanging of interminable
processions; the miles of ugly wharves and warehouses; the lean
protrusions of chimney, mast, and crane; the painted signs of grimy
industries, staring from shore to shore; the strange, flat, obstructive
barges, straining and bumping on some business as to which everything
was vague but that it was remarkably dirty; the clumsy coasters and
colliers, which thickened as one went down; the small, loafing boats,
whose occupants, somehow, looking up from their oars at the steamer, as
they rocked in the oily undulations of its wake, appeared profane and
sarcastic; in short, all the grinding, puffing, smoking, splashing
activity of the turbid flood. In the good-natured crowd, amid the fumes
of vile tobacco, beneath the shower of sooty particles, and to the
accompaniment of a bagpipe of a dingy Highlander, who sketched
occasionally a smothered reel, Hyacinth forbore to speak to his
companion of what he had most at heart; but later, as they lay on the
brown, crushed grass, on one of the slopes of Greenwich Park, and saw
the river stretch away and shine beyond the pompous colonnades of the
hospital, he asked him whether there was any truth in what Rosy had
said about his being sweet on their friend the Princess. He said ‘their
Public-domain text, read in full here on John Shaqi.
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