London (England) -- Social life and customs -- 19th century -- Fiction
It may easily be believed that he scrutinised his infatuation even
while he gave himself up to it, and that he often wondered he should
care for a girl in whom he found so much to object to. She was vulgar,
clumsy and grotesquely ignorant; her conceit was proportionate, and she
had not a grain of tact or of quick perception. And yet there was
something so fine about her, to his imagination, and she carried with
such an air the advantages she did possess, that her figure constantly
mingled itself even with those bright visions that hovered before him
after Paul Muniment had opened a mysterious window. She was bold, and
free, and generous, and if she was coarse she was neither false nor
cruel. She laughed with the laugh of the people, and if you hit her
hard enough she would cry with its tears. When Hyacinth was not letting
his imagination wander among the haunts of the aristocracy, and
fancying himself stretched in the shadow of an ancestral beech, reading
the last number of the _Revue des Deux Mondes_, he was occupied with
contemplations of a very different kind; he was absorbed in the
struggles and sufferings of the millions whose life flowed in the same
current as his, and who, though they constantly excited his disgust,
and made him shrink and turn away, had the power to chain his sympathy,
to make it glow to a kind of ecstasy, to convince him, for the time at
least, that real success in the world would be to do something with
them and for them. All this, strange to say, was never so vivid to him
as when he was in Millicent’s company; which is a proof of his
fantastic, erratic way of seeing things. She had no such ideas about
herself; they were almost the only ideas she didn’t have. She had no
theories about redeeming or uplifting the people; she simply loathed
them, because they were so dirty, with the outspoken violence of one
who had known poverty, and the strange bedfellows it makes, in a very
different degree from Hyacinth, brought up, comparatively, with Pinnie
to put sugar in his tea, and keep him supplied with neckties, like a
little swell.
Public-domain text, read in full here on John Shaqi.
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