The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
“I’ve kept you a long time, but it’s supposed not usually to be a
bad place, my salon; there are various things to look at and perhaps
you’ve noticed some of them. Over on that side for instance is rather
a curious collection of miniatures.” She spoke abruptly, quickly, as
if conscious that their communion might be awkward and she were trying
to strike instantly (to conjure that element away) the sort of note
that would make them both most comfortable. Quickly too she sat down
before her tea-tray and poured him out a cup, which she handed him
without asking if he would have it. He accepted it with a trembling
hand, though he had no desire for it; he was too nervous to swallow
the tea, but it wouldn’t have appeared to him possible to decline. When
he had murmured that he had indeed looked at all her things, but that
it would take hours to do justice to such treasures, she asked if he
were fond of works of art; immediately adding, however, that she was
afraid he had not many opportunities of seeing them, though of course
there were the public collections, open to all. He replied with perfect
veracity that some of the happiest moments of his life had been spent
at the British Museum and the National Gallery, and this fact appeared
to interest her greatly, so that she straightway begged him to tell her
what he thought of certain pictures and antiques. In this way it was
that in an incredibly short time, as appeared to him, he found himself
discussing the Bacchus and Ariadne and the Elgin Marbles with one
of the most remarkable women in Europe. It was true that she herself
talked most, passing precipitately from one point to another, putting
questions and not waiting for answers, describing and qualifying
things, expressing feelings, by the aid of phrases that he had never
heard before but which seemed to him illuminating and happy—as when
for instance she asked what art was, after all, but a synthesis made
in the interest of pleasure, or said that she didn’t like England in
the least, but absurdly loved it. It didn’t occur to him to think these
discriminations pedantic. Suddenly she threw off, “Madame Grandoni told
me you saw my husband.”
“Ah, was the gentleman your husband?”
“Unfortunately! What do you think of him?”
“Oh, I can’t think—!” Hyacinth decently pleaded.
“I wish I couldn’t either! I haven’t seen him for nearly three years.
He wanted to see me to-day, but I refused.”
“Ah!”—and the young man stared, not knowing how he ought to receive so
unexpected a confidence. Then as the suggestions of inexperience are
sometimes the happiest of all he spoke simply what was in his mind and
said gently: “It has made you—naturally—nervous.” Later on, when he had
left the house, he wondered how at that stage he could have ventured on
such a familiar remark.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account