The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
lighted up the ugliness in which the hand of practice endeavoured to
disengage a little beauty—the ugliness of a dingy belittered interior,
of battered dispapered walls, of work-tables stained and hacked, of
windows opening into a foul drizzling street, of the bared arms, the
sordid waistcoat-backs, the smeared aprons, the personal odour, the
patient obstinate irritating shoulders and vulgar narrow inevitable
faces of his fellow-labourers. Our young friend’s relations with his
comrades would form a chapter by itself, but all that may be said of
the matter here is that the clever little operator from Lomax Place
had in a manner a double identity and that much as he lived in Mr.
Crookenden’s establishment he lived out of it still more. In this busy,
pasty, sticky, leathery little world, where wages and beer were the
main objects of consideration, he played his part in a way that marked
him as a queer lot, but capable of queerness in the line of equanimity
too. He hadn’t made good his place there without discovering that the
British workman, when animated by the spirit of mirth, has rather a
heavy hand, and he tasted of the practical joke in every degree of
violence. During his first year he dreamed, with secret passion and
suppressed tears, of a day of bliss when at last they would let him
alone—a day which arrived in time, for it is always an advantage to
be clever if one be only clever enough. Hyacinth was sufficiently so
to have invented a _modus vivendi_ in respect to which M. Poupin said
to him, “_Enfin vous voilà ferme!_” (the Frenchman himself, terribly
_éprouvé_ at the beginning, had always bristled with firmness and
opposed to insular grossness a refined dignity) and under the influence
of which the scenery of Soho figured a daily dusky exhibition of
projected shadows, confined to the passive part of life and giving
no hostages to reality, or at least to ambition, save an insufficient
number of shillings on Saturday night and stray spasmodic reminiscences
of delicate work that might have been more delicate still, as well as
of such applications of the tool as he flattered himself unsurpassed
unless by the supreme Eustache.
Public-domain text, read in full here on John Shaqi.
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