The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
being one of themselves. He imposed himself by the eloquence of his
assumption that if one were not in the beautiful supreme France one was
nowhere worth speaking of, and ended by producing an impression that
that country had a quite supernatural charm. Muniment had once said
to Hyacinth that he was sure Poupin would be very sorry to be enabled
to go home again (as he really might from one week to the other,
the Republic being so indulgent and the amnesty to the Communards
constantly extended) for over there he couldn’t be a refugee; and
however this might be he certainly flourished a good deal in London on
the basis of this very fact that he so suffered from it.
“Why do you tell us that as if it was so very striking? Don’t we know
it and haven’t we known it always? But you’re right; we behave as if
we knew nothing at all,” said Mr. Schinkel, the German cabinet-maker
who had originally introduced Captain Sholto to the “Sun and Moon.” He
had a long, unhealthy, benevolent face and greasy hair, and constantly
wore an untidy bandage round his neck, as if for a local ailment. “You
remind us—that’s very well; but we shall forget it in half an hour.
We’re not serious.”
“_Pardon, pardon_; for myself I don’t admit that!” Poupin replied,
striking the table with his finger-tips several times, very fast. “If
I’m not serious I’m nothing.”
“Oh no, you’re something,” said the German, smoking his monumental pipe
with a contemplative air. “We’re all something, but I’m not sure it’s
anything very useful.”
“Well, things would be worse without us. I’d jolly rather be in
here, in _this_ kind of muck, than outside,” remarked the fat man who
understood dogs.
“Certainly, it’s very pleasant, especially if you’ve your beer; but
not so pleasant over there at the Docks, where fifty thousand people
starve. It’s a very unpleasant night,” the cabinet-maker went on.
“How can it be worse?” Eustache Poupin asked while he looked at the
German as to make him responsible for the fat man’s reflexion. “It’s so
bad that the imagination recoils, refuses—!”
“Oh, we don’t care for the imagination!” the fat man declared. “We want
a compact body in marching order.”
“What do you call a compact body?” the little grey-faced shoemaker
demanded. “I daresay you don’t mean your kind of body.”
“Well, I know what I mean,” said the fat man severely.
“That’s a grand thing. Perhaps one of these days you’ll tell us.”
“You’ll see it for yourself perhaps, before that day comes,” the
gentleman with the silver ring rejoined. “Perhaps when you do you’ll
remember.”
“Well, you know, Schinkel says we don’t,” said the shoemaker, nodding
at the cloud-compelling German.
“I don’t care a bloody rap what no man says!” the dog-fancier
exclaimed, gazing straight before him.
Public-domain text, read in full here on John Shaqi.
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