The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
When the boy was about fifteen years of age Mr. Vetch made him a
present of the essays of Lord Bacon, and the purchase of this volume
had important consequences for Hyacinth. Anastasius Vetch was a poor
man, and the luxury of giving was for the most part denied him; but
when once in a way he tasted it he liked the sensation to be pure.
No man knew better the difference between the common and the rare,
or was more capable of appreciating a book which opened well—of which
the margin was not hideously chopped and of which the lettering on the
back was sharp. It was only such a book that he could bring himself
to offer even to a poor little devil whom a fifth-rate dressmaker
(he knew Pinnie was fifth-rate) had rescued from the workhouse. So
when it became a question of fitting the great Elizabethan with a
new coat—a coat of full morocco discreetly, delicately gilt—he went
with his little cloth-bound volume, a Pickering, straight to Mr.
Crookenden, whom every one who knew anything about the matter knew to
be a prince of binders, though they also knew that his work, limited
in quantity, was mainly done for a particular bookseller and only
through the latter’s agency. Anastasius Vetch had no idea of paying the
bookseller’s commission, and though he could be lavish (for him) when
he made a present, he was capable of taking an immense deal of trouble
to save sixpence. He made his way into Mr. Crookenden’s workshop,
which was situated in a small superannuated square in Soho and where
the proposal of so slender a job was received at first with chilling
calm. Mr. Vetch, however, insisted; he explained with irresistible
frankness the motive of his errand: the desire to obtain the best
possible binding for the least possible money. He made his conception
of the best possible binding so vivid, so exemplary, that the master
of the shop at last confessed to that disinterested sympathy which, in
favouring conditions, establishes itself between the artist and the
connoisseur. Mr. Vetch’s little book was put in hand as a particular
service to an eccentric gentleman whose visit had been a smile-stirring
interlude (for the circle of listening workmen) in a merely mechanical
day; and when he went back three weeks later to see if the job were
done he had the pleasure of finding that his injunctions, punctually
complied with, had even been bettered. The work had been accomplished
with a perfection of skill which made him ask whom he was to thank for
it (he had been told that one man should do the whole of it) and in
this manner he made the acquaintance of the most brilliant craftsman
in the establishment, the incorruptible, the imaginative, the unerring
Eustache Poupin.
Public-domain text, read in full here on John Shaqi.
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