The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
He taught him French and socialism, encouraged him
to spend his evenings in Lisson Grove, invited him to regard Madame
Poupin as a second, or rather as a third, mother, and in short made
a very considerable mark on the boy’s mind. He fostered and drew out
the latent Gallicism of his nature, and by the time he was twenty
Hyacinth, who had completely assimilated his influence, regarded him
with a mixture of veneration and amusement. M. Poupin was the person
who consoled him most when he was miserable; and he was very often
miserable.
His staying away from his work was so rare that, in the afternoon,
before he went home, Hyacinth walked to Lisson Grove to see what
ailed him. He found his friend in bed with a plaster on his chest
and Madame Poupin making _tisane_ over the fire. The Frenchman took
his indisposition solemnly but resignedly, like a man who believed
that all illness was owing to the imperfect organisation of society,
and lay covered up to his chin with a red cotton handkerchief bound
round his head. Near his bed sat a visitor, a young man unknown to
Hyacinth. Hyacinth naturally had never been to Paris, but he always
supposed that the _intérieur_ of his friends in Lisson Grove gave
rather a vivid idea of that city. The two small rooms constituting
their establishment contained a great many mirrors as well as
little portraits (old-fashioned prints) of revolutionary heroes. The
chimney-piece in the bedroom was muffled in some red drapery which
appeared to Hyacinth extraordinarily magnificent; the principal
ornament of the salon was a group of small and highly-decorated cups,
on a tray, accompanied by gilt bottles and glasses, the latter still
more diminutive—the whole intended for black coffee and liqueurs. There
was no carpet on the floor, but rugs and mats of various shapes and
sizes disposed themselves at the feet of the chairs and sofas; and in
the sitting-room, where stood a wonderful gilt clock of the Empire,
surmounted with a “subject” representing Virtue receiving a crown of
laurel from the hands of Faith, Madame Poupin, with the aid of a tiny
stove, a handful of charcoal and two or three saucepans, carried on a
triumphant _cuisine_. On the windows were curtains of white muslin much
fluted and frilled and tied with pink ribbon.
VII
“I’m suffering extremely, but we must all suffer so long as the
social question is so abominably, so iniquitously neglected,”
Poupin remarked, speaking French and rolling toward Hyacinth his
salient, excited-looking eyes, which always had the same declamatory,
reclamatory, proclamatory, the same universally inaugurative
expression, whatever his occupation or his topic. Hyacinth had seated
himself near his friend’s pillow, opposite the strange young man, who
had been accommodated with a chair at the foot of the bed.
Public-domain text, read in full here on John Shaqi.
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