The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
On the present occasion she let him know he might have his pleasure
if he would first accompany her to church; and it was in vain he
represented to her that this proceeding would deprive them of their
morning, inasmuch as after church she would have to dine and in the
interval there would be no time left. She replied with a toss of
her head that she dined when she liked; besides, on Sundays she had
cold fare—it was left out for her: an argument to which Hyacinth had
to assent, his ignorance of her domestic economy being complete,
thanks to the maidenly mystery, the vagueness of reference and
explanation in which, despite great freedom of complaint, perpetual
announcements of intended change, of impending promotion and of high
bids for her services in other quarters, she had always enshrouded
her private affairs. He walked by her side to the place of worship
she preferred—her choice was made apparently from a large experience;
and as they went he observed that it was a good job he wasn’t married
to her. Lord, how she would bully him, how she would “squeeze” him,
in such a case! The worst of it would be that—such was his amiable,
peace-loving nature—he should obey like a showman’s poodle. And pray
who _was_ a man to obey, asked Millicent, if he wasn’t to obey his own
wife? She sat up in her pew with a majesty that carried out this idea;
she seemed to answer in her proper person for creeds and communions and
sacraments; she was more than devotional, she was individually almost
pontifical. Hyacinth had never felt himself under such distinguished
protection; the Princess Casamassima came back to him in comparison as
a loose Bohemian, a shabby adventuress. He had sought her out to-day
not for the sake of her austerity—he had had too gloomy a week for
that—but for that of her genial side; yet now that she treated him
to the severer spectacle it struck him for the moment as really grand
sport, a kind of magnification of her rich vitality. She had her phases
and caprices like the Princess herself, and if they were not the same
as those of the lady of Madeira Crescent they proved at least that
she was as brave a woman. No one but a really big creature could give
herself such airs; she would have a consciousness of the large reserve
of pliancy required to make up for them. The Princess wanted to destroy
society and Millicent to uphold it; and as Hyacinth, by the side of his
childhood’s friend, listened to practised intonings and felt the brush
of a rich unction, he was obliged to recognise the liberality of a fate
that had sometimes appeared invidious. He had been provided with the
best opportunities for choosing between the beauty of the original and
the beauty of the conventional.
Public-domain text, read in full here on John Shaqi.
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