The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
I ought of course to be thankful to anything that brings you here; and
so I am in so far as that it makes me happy. But I can’t like it if it
makes _you_ miserable. You’re like a nervous mother whose baby’s in bed
upstairs; she goes up every five minutes to see if he’s all right—if
he isn’t uncovered or hasn’t tumbled out of bed. Dear Mr. Vetch, don’t,
don’t worry; the blanket’s up to my chin and I haven’t tumbled yet.”
He heard himself say these things as if he were listening to another
person; the impudence of them in the grim conditions seemed to him
somehow so rare. But he believed himself to be on the edge of a form
of action in which impudence evidently must play a considerable part,
and he might as well try his hand at it without delay. The way the
old man looked out might have indicated that he too was able to take
the measure of his perversity—judged him false to sit there declaring
there was nothing the matter while a brand-new revolutionary commission
burned in his pocket. But in a moment Mr. Vetch said very mildly and
as if he had really been reassured: “It’s wonderful how you read my
thoughts. I don’t trust you; I think there are beastly possibilities.
It’s not true at any rate that I come to look at you every five
minutes. You don’t know how often I’ve resisted my fears—how I’ve
forced myself to let you alone.”
“You had better let me come and live with you as I proposed after
Pinnie’s death. Then you’ll have me always under your eyes,” Hyacinth
smiled.
The old man got up eagerly and, as Hyacinth did the same, laid firm
hands on his shoulders, holding him close. “Will you now really, my
boy? Will you come to-night?”
“To-night, Mr. Vetch?”
“To-night has worried me more than any other, I don’t know why. After
my tea I had my pipe and a glass, but I couldn’t keep quiet; I was
very, very bad. I got to thinking of Pinnie—she seemed to be in the
room. I felt as if I could put out my hand and touch her. If I believed
in ghosts, in signs or messages from the dead, I should believe I had
seen her. She wasn’t there for nothing; she was there to add her fears
to mine—to talk to me about you. I tried to hush her up, but it was no
use—she drove me out of the house. About ten o’clock I took my hat and
stick and came down here. You may judge if I thought it important—I
took a cab.”
“Ah why do you spend your money so foolishly?” Hyacinth asked in a tone
of the most affectionate remonstrance.
“Will you come to-night?” said his companion for rejoinder, holding him
still.
“Surely it would be simpler for you to stay here. I see perfectly
you’re ill and nervous. You can take the bed and I’ll spend the night
in the chair.”
The fiddler thought a moment. “No, you’ll hate me if I subject you to
such discomfort as that; and that’s just what I don’t want.”
“It won’t be a bit different in your room. There as here I shall have
to sleep in a chair.”
“I’ll get another room. We shall be close together,” the fiddler went
on.
Public-domain text, read in full here on John Shaqi.
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