The Princess PassesWilliamson, C. N. (Charles Norris)
General
The Princess Passes
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction
It was close to the deserted distillery of the famous liqueur that we
parted company, the car, piled with our discarded great-coats, forging
ahead up the historic path. The little tramway that used to carry the
cases of liqueur to the station at Fourvoirie was nearly obliterated
by new-grown grass; the vast buildings stood empty. Never again would
the mellow Chartreuse verte and Chartreuse jaune he fragrantly
distilled behind the high grey walls, for the makers were banished and
scattered far abroad.
We lingered for a moment at the narrow entrance to Le Désert, where
the rushing river Guiers foams through the throttled gorge, giving
barely room for the road scored along the lace of the cliff. It was
like a doorway to the lost domain of the monks, and Jack and I agreed
that St. Bruno was a man of genius to find such a retreat. A retreat
it was literally. St. Bernard had taken his followers to a place
where, suffering great hardships, they could best devote their lives
to succouring others; but St. Bruno's theory had evidently been that
holy men can do more good to their kind by prayer in peaceful
sanctuaries than by offering more material aid.
Here,--at the doorway of St. Bruno's long corridor,--the ravine, the
old forge, the single-arched bridge flung high across the deep bed of
the roaring torrent, had all grouped themselves as if after a
consultation upon artistic effect. Once, there had been an actual
gate, built alike for defence and for limitation, but there were no
traces of it left for the eye of the amateur.
We passed into the defile, and the motor car was out of sight long
ago. Higher and higher the brown road climbed. The mountains towered
close and tall. Great pillared palaces of rock loomed against the sky
like castles in the air, incalculably far above the green heads and
sloping shoulders of the nearer mountain slopes.
I had thought that green was never so green as in the Valley of Aosta,
but here in St. Bruno's corridor there was a new richness of emerald
in the green carpet and wall hangings, such as I had not yet known. It
was green stamped with living gold, in delicate fleur-de-lis patterns
where the sun wove bright threads; and high above was the ceiling of
lapis lazuli, in pure unclouded blue.
We heard no sound save the voices of unseen woodcutters crying to each
other from mountain slope to mountain slope, the resonant ring of
their axes, striking out wild, echoing notes with a fleeting clang of
steel on pine, and now and again the sudden thunder-crash of a falling
tree, like the roar of a distant avalanche.
Public-domain text, read in full here on John Shaqi.
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