The Princess PassesWilliamson, C. N. (Charles Norris)
General
The Princess Passes
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction
The spell of the vast, the stupendous silence fell upon us. Somehow,
Molly drifted from me to Jack as we walked noiselessly on, led by a
silent guide, as if she craved the warm comfort of a loved presence,
and for a few brief moments the veiled Mercédès paced step for step
beside me. But we did not speak to each other.
What a tragic, tremendous silence it was! Yes, I wanted the Boy. I
should have been glad of the touch of his little shoulder. Thinking of
him thus, by some accident the sleeve of Mercédès's coat brushed
against mine. Still, not a word from either of us. I did not even say,
"I beg your pardon," for that would have been to obtrude my voice upon
the thousand voices of the Silence; dead voices, living voices; voices
of passionate protest, voices of heartbreaking homesickness, of aching
grief and longing, never to be assuaged. Poor monks--poor banished men
who had loved their home, and belonged to it, as the clasping tendrils
of old, old ivy belong to the oak.
How dared we come here into this place from which they had been
driven, we aliens? I had not known it would grip me so by the throat.
How full the emptiness was!--as full to my mind as the air is of
motes when a bar of sunshine reveals them.
It was the Palace of Sleep, lost in the mountain forests, but here
there was no hope coming with the springing footsteps of a blithe
young prince. The sleepers in this palace could not be waked by a
wish, or a magic kiss, for they were ghosts, ghosts everywhere--in the
great kitchen, with all its huge polished utensils ready for the meal
which would never be cooked, and its neat plain dishes on shelved
trays, waiting to be carried to the _grilles_ of the _solitaires_; in
the Brothers' refectory where the egg-cups were ranged on long, narrow
tables, for the meal never to be eaten, where the chair of the Reader
was waiting to receive him; in the Fathers' refectory next door; in
the dusky corridors, their ends lost in shadow, where only the sad
echoes and the running water of the unseen spring were awake; in the
chapels; in the cemetery with its old carved stones and humbler wooden
crosses; and most of all in the wonderful cells (which were not cells,
but mansions), and in their high-walled gardens, the most private of
all imaginable spots on earth.
Public-domain text, read in full here on John Shaqi.
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